# Romance

> Romance

- Skill: `handsomeboy990/romance` (Agent Skill, multi-file: 4 files)
- Install (CLI): `npx skillmds@latest add handsomeboy990/romance`
- Raw SKILL.md: https://api.skillmd.com/api/skills/handsomeboy990/romance/raw
- Safety review: pending
- Works with: Claude Code, Claude.ai, OpenAI Codex
- Category: Coding & Dev Tools
- Author: Handsomeboy990 (https://skillmd.com/u/handsomeboy990)
- Updated: 2026-09-17
- Page: https://skillmd.com/skills/handsomeboy990/romance

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# Romance

Romance tells the transformation of two people by their meeting. The question
is not whether they end up together, but what they will have to stop being for
that to be possible.

## 1. Reading contract

The reader demands: two characters worth loving, a real obstacle, sustained
tension, progressive intimacy, and an ending that matches the announced
subgenre.

## 2. Obstacle

The internal obstacle always outranks the external one. Geographic separation,
a hostile family or a professional secret are only revealers of an inner
incapacity.

Formula: each carries a lie, in the sense of `character-psychologist`, and it
is precisely the other person who makes that lie untenable.

Forbidden: the prolonged misunderstanding that one sentence would dispel. If a
misunderstanding is used, it must be impossible to clear up for a credible and
costly reason.

## 3. Progression of intimacy

Seven stages, each earned by a scene:

1. Involuntary attention.
2. Curiosity, seeking information.
3. A minor confidence, reciprocated.
4. Innocuous but noticed physical contact.
5. A partial admission, usually clumsy.
6. Rupture or crisis, caused by the inner lie.
7. A conscious, costly choice amounting to commitment.

Skipping a stage produces a sense of contrivance. Repeating them produces
slowness.

## 4. Tension

- Tension comes from thwarted desire, not from proximity.
- An obstacle removed must be replaced immediately.
- Two-person scenes are stronger when a third party is present.
- Subtext is central: what is said in front of a witness, what is said alone,
  what is never said.

## 5. Intimate scenes

- Consent is explicit and embodied, never assumed.
- The writing follows the heat level announced by the subgenre, and holds to
  it.
- The scene must change the relationship: what follows can no longer be as it
  was.
- Avoid worn metaphors and embarrassed euphemism. The vocabulary chosen stays
  that of the whole novel.

## 6. Subgenres and endings

| Subgenre | Expected ending | Breach of contract |
|---|---|---|
| Contemporary romance | lasting union | open ending |
| Historical romance | union with a social cost | sentimental anachronism |
| Romantic comedy | union and social reconciliation | unprepared final gravity |
| Dramatic romance | separation or loss | a bolted-on happy ending |
| Slow burn | late union, long earned | early resolution |

The contract is announced by the paratext and is not broken.

## 7. Cliches to turn or prohibit

- The domineering billionaire with a wounded past.
- Clumsiness as the protagonist's only trait.
- The mean rival with no depth.
- The surprise pregnancy as a resolution.
- The declaration in the rain, unless reinvented.
- The kiss that resolves a moral conflict.

## 8. Exit checks

- Both characters have a desire of their own outside the relationship.
- Every stage of intimacy is earned by a scene.
- The internal obstacle is named and paid for.
- No misunderstanding removable in one sentence.
- The ending respects the subgenre contract.

## 9. Auto-critique

The eleven constitution axes, plus four genre axes: strength of the internal
obstacle, progression of intimacy, tension sustained, contract respected.

Threshold: no axis below 3, average at least 4 on the internal obstacle.

## 10. Interfaces

- Upstream: `character-psychologist`.
- Neighbours: `genres/historical-fiction`, `genres/adventure`.