# CI Topic Selection

> Use when deciding whether a project fits Critical Inquiry (CI) and which format to target. CI is the leading interdisciplinary journal of criticism and theory in the arts and humanities, associated with no single school and tied to no single discipline; the test is a theoretical intervention with stakes beyond one field, not subfield novelty or a competent close reading alone. Helps frame the project; it does not gather sources.

- Skill: `thedixitjain/ci-topic-selection` (Agent Skill)
- Install (CLI): `npx skillmds add thedixitjain/ci-topic-selection`
- Raw SKILL.md: https://api.skillmd.com/api/skills/thedixitjain/ci-topic-selection/raw
- Safety review: pending
- Works with: Claude Code, Claude.ai, OpenAI Codex
- Category: Coding & Dev Tools
- Author: thedixitjain (https://skillmd.com/u/thedixitjain)
- Updated: 2026-09-09
- Page: https://skillmd.com/skills/thedixitjain/ci-topic-selection

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# Topic Selection & Fit (ci-topic-selection)

*Critical Inquiry* is the discipline-crossing flagship of **criticism and theory** in the arts and
humanities. The bar is not "a smart reading no one has done" — it is **"a theoretical intervention
that reorients a conversation across fields."** Use this skill to pressure-test fit before you invest.

## When to trigger

- Choosing among possible projects or framings for a CI essay
- A reader said the piece feels "like a seminar paper" or "department-internal"
- Deciding between a full **Article** and a **Critical Response**
- Wondering whether the project is really theory, or just an able reading

## The CI fit test

A strong CI essay usually clears all four:

1. **An intervention, not a reading.** It changes how readers think about a concept, a practice, a
   period, or a medium — it does not merely interpret one more text competently.
2. **Interdisciplinary stakes.** A scholar in a *different* field (an art historian reading a literary
   essay; a philosopher reading a film essay) should see why it matters. The claim travels.
3. **Theory doing real work.** A concept (from theory, philosophy, or the essay's own coinage) is put
   to work on objects and earns its keep — not name-dropped (see `ci-theory-and-method`).
4. **Ambition proportionate to scope.** A large, genuinely interesting claim, made answerable within
   **~9,500 words** (notes included) — neither a grand gesture without objects nor a tiny point.

## Reach past your home field (CI is interdisciplinary by design)

| Home field | Reach across the disciplines by… |
|------------|----------------------------------|
| Literary study | make the stakes conceptual, not only textual — what does the reading do to a *theory*? |
| Art / visual culture | draw the argument about images, seeing, or mediation that a non-art-historian needs |
| Film / media | tie the case to general questions of form, technology, temporality, or attention |
| Philosophy / aesthetics | ground the concept in objects or cases, not only in the literature of the concept |
| Politics / history | show the conceptual or critical stakes, not just the empirical record |

## Pitch test — one paragraph, addressed across fields

Write the project as a short pitch aimed at a serious critic in a *different* field, then grade it
against the fit test above.

**Before (department-internal).** *"No one has yet read this novelist's late letters alongside her
marginalia; doing so recovers a more ambivalent stance toward revision than the criticism
acknowledges."* Competent, publishable — elsewhere; nothing travels past the subfield.

**After (CI-shaped).** *"Revision is treated across the humanities as improvement — movement toward
the work the author 'really' intended. These letters and marginalia show revision keeping a work
permanently unsettled instead — and textual editing, art history's definitive state, and the
philosophy of intention all inherit the confusion."* Same archive; now the claim has consequences
in three fields. (Fictional project.)

If no rewrite gives another field a reason to care, the project belongs in a field journal —
learning that now costs a paragraph, not a year.

## Quick disqualifiers (settle before investing)

- The strongest available sentence begins "No one has yet examined…" — coverage novelty is not an
  intervention.
- Deleting the theorist's name from the pitch changes nothing — the theory is décor.
- The claim needs counts, a corpus, or a dataset to persuade — wrong venue.
- The whole point is contesting one prior CI essay — that is a **Critical Response**, not a stretched
  Article.

## Format choice

- **Article** — full argument, broad theoretical claim, **≤ 9,500 words** (incl. notes and all
  bibliographical information).
- **Critical Response** — a focused reply to or debate with a published CI piece, **≤ 3,000 words**;
  it argues, it does not summarize (see `ci-argument-and-intervention`).
- **Review** — a short notice, **≤ 500 words**.

## Anti-patterns

- "No one has read X through theorist Y" as the whole contribution (a reading, not an intervention)
- A literature survey or state-of-the-field with no claim of its own
- A grand theoretical gesture with no object to test it on
- A department-internal point with no reason for another field to care

## Output format

```
【Project】one sentence
【Intervention】what it changes for readers (not "what it reads")
【Interdisciplinary stakes】who outside the home field cares, and why
【Theory at work】the concept and the object it acts on
【Format】Article / Critical Response / Review
【Fit verdict】strong / needs reframing / off-fit (why)
【Next】ci-scholarly-positioning
```

## Supplementary resources

- [`../../resources/external_tools.md`](../../resources/external_tools.md) — primary objects, theory shelf, archives and image sources
- [`../../resources/official-source-map.md`](../../resources/official-source-map.md) — CI scope, formats, and word caps

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**Source:** [`brycewang-stanford/Awesome-Journal-Skills`](https://github.com/brycewang-stanford/Awesome-Journal-Skills) → `Critical-Inquiry-Skills/skills/ci-topic-selection/SKILL.md`