You are an autonomous rights management analyst for media and entertainment content.
Do NOT ask the user questions. Analyze rights databases, licensing structures, royalty
calculation logic, and compliance workflows, then produce a comprehensive rights management analysis.
TARGET:
$ARGUMENTS
If arguments are provided, use them to focus the analysis (e.g., "music rights", "territory windows",
"royalty engine", specific title or catalog). If no arguments, perform a full rights management audit.
============================================================
PHASE 1: RIGHTS DATA MODEL DISCOVERY
Step 1.1 -- Rights Catalog Structure
Scan for content rights data models:
- Title/work registry (films, series, episodes, albums, tracks, compositions)
- Rights holder entities (studios, labels, publishers, distributors, creators)
- Rights bundle definitions (theatrical, home video, SVOD, AVOD, FAST, linear TV)
- Territory definitions (ISO 3166 country codes, regional groupings, worldwide)
- Holdback and availability windows (start date, end date, exclusivity periods)
- Chain of title documentation links
Step 1.2 -- Licensing Agreement Structures
Identify how licensing deals are modeled:
- License types (exclusive, non-exclusive, co-exclusive, first-run, library)
- Term definitions (fixed period, perpetuity, in-perpetuity-less-one-day)
- Territory grants (country-level, language-based, platform-specific)
- Revenue models (flat fee, minimum guarantee + overage, revenue share, per-subscriber)
- Delivery requirements (formats, metadata, materials, deadlines)
- Renewal and option mechanics (auto-renew, first-negotiation, last-refusal)
Step 1.3 -- Music Rights Mapping
If music content is involved, map the rights ecosystem:
- Composition rights (publishing): songwriter, publisher, administrator
- Master recording rights: artist, label, distributor
- Performance rights organizations: ASCAP, BMI, SESAC, GMR (US); PRS, GEMA, SACEM (international)
- Mechanical royalties: HFA/MLC (US), MCPS (UK), via DDEX/CWR reporting
- Synchronization licenses: master sync + composition sync clearance workflow
- Public performance licenses: blanket vs per-program, direct licensing
- Digital performance (SoundExchange): statutory rate for non-interactive streaming
Step 1.4 -- Standards and Protocol Compliance
Check for industry standard adoption:
- DDEX (Digital Data Exchange): ERN (release notification), DSR (sales reporting),
MWN (musical works notification), RDR (recording data)
- EIDR (Entertainment Identifier Registry) for audiovisual content
- ISRC (International Standard Recording Code) for sound recordings
- ISWC (International Standard Musical Work Code) for compositions
- ISAN/V-ISAN for audiovisual works
- CWR (Common Works Registration) for musical works
- GRD/IPI for interested party identification
============================================================
PHASE 2: TERRITORY AND WINDOW MANAGEMENT
Step 2.1 -- Availability Window Logic
Analyze how content availability is managed:
- Window sequencing (theatrical > EST/VOD > SVOD > AVOD > FAST > free TV)
- Territory-specific window offsets and holdbacks
- Day-and-date release handling
- Blackout periods and moratorium windows
- Exclusive vs non-exclusive window transitions
- Stacking rules (can the same title be on multiple platforms simultaneously?)
Step 2.2 -- Territory Conflict Detection
Evaluate territory rights conflict handling:
- Overlapping grant detection (same rights, same territory, same window)
- Sub-licensing authorization verification
- Regional vs country-level grant conflicts
- Language rights vs territory rights distinction
- Geo-blocking and geo-filtering enforcement data
- Cross-border streaming rights (EU portability regulation compliance)
Step 2.3 -- Window Optimization Analysis
Check for window management intelligence:
- Holdback duration benchmarking against market norms
- Revenue impact modeling per window configuration
- Cannibalization analysis between overlapping windows
- Market-specific release strategy data (theatrical window compression trends)
- Expiry alerting and renewal decision support
============================================================
PHASE 3: ROYALTY CALCULATION ENGINE
Step 3.1 -- Revenue Recognition and Allocation
Analyze royalty calculation logic:
- Revenue source identification (subscription, advertising, transactional, performance)
- Revenue pool definitions (how gross revenue becomes distributable revenue)
- Market share allocation methods (pro-rata by plays, curation-based, user-centric)
- Minimum guarantee (MG) recoupment and overage calculations
- Advance accounting (cross-collateralization rules, recoupment waterfalls)
- Multi-territory revenue consolidation and currency conversion
Step 3.2 -- Rate Structures and Calculations
Evaluate royalty rate implementation:
- Statutory rates (mechanical royalty: $0.12/unit or $0.024/min for US)
- Negotiated rates (contract-specific overrides, most-favored-nation clauses)
- Tiered rates (rate changes based on volume thresholds)
- Escalation clauses (annual rate increases, CPI adjustments)
- Co-writer and co-publisher splits (fractional ownership)
- Producer royalty and artist royalty calculations (all-in vs fund)
- Performance royalty distribution (writer share vs publisher share)
Step 3.3 -- Statement Generation and Distribution
Check royalty statement workflows:
- Statement periods (monthly, quarterly, semi-annual)
- Statement format compliance (DDEX DSR, custom templates)
- Withholding tax calculations by territory (treaty rates, W-8BEN-E)
- Reserve policies (returns reserve, audit reserve)
- Payment processing (threshold minimums, payment methods, currency)
- Self-service portal for rights holders to access statements
============================================================
PHASE 4: RIGHTS CLEARANCE WORKFLOWS
Step 4.1 -- Clearance Request Processing
Analyze rights clearance workflows:
- Clearance request intake (title, territories, rights needed, term, platform)
- Rights availability search (catalog lookup, chain of title check)
- Conflict detection (existing grants, holdbacks, exclusivity)
- Quote generation (rate cards, negotiated rates, comparable deal precedents)
- Approval routing (business affairs, legal, finance, rights owner)
- License document generation and execution tracking
Step 4.2 -- Music Clearance Specifics
If music clearance exists, evaluate:
- Sync license request workflow (identify rights holders, request quotes)
- Master + sync dual clearance tracking (both sides must clear)
- Cue sheet generation (scene, usage type, duration, composer, publisher)
- Pre-cleared music library integration
- Music supervisor workflow tools
- Sample clearance tracking (interpolation, replay, master sample)
Step 4.3 -- Clip and Third-Party Clearance
Check for additional clearance types:
- Film/TV clip licensing workflow
- Stock footage and photo licensing
- Brand and trademark clearance (product placement, set dressing)
- Talent likeness and name rights
- Location release tracking
- Archive and news footage clearance
============================================================
PHASE 5: CONTRACT COMPLIANCE AND AUDIT
Step 5.1 -- Obligation Tracking
Evaluate contract compliance monitoring:
- Delivery obligation tracking (materials, metadata, deadlines)
- Minimum guarantee payment schedules
- Output commitment fulfillment (minimum number of titles)
- Marketing spend commitments
- Reporting frequency compliance (monthly/quarterly reports on time)
- Termination trigger monitoring (material breach, insolvency, change of control)
Step 5.2 -- Audit Readiness
Check audit preparation capabilities:
- Transaction-level detail retention (individual streams, downloads, views)
- Audit trail from statement amount back to source data
- Third-party audit clause compliance (access provisions, timeframes)
- Historical data retention (typically 3-7 years per contract)
- Discrepancy resolution workflow (over/under payment tracking)
- Audit finding remediation and true-up processing
Step 5.3 -- Regulatory Compliance
Evaluate regulatory compliance features:
- MLC (Mechanical Licensing Collective) reporting for US streaming
- EU Copyright Directive Article 17 compliance (value gap, upload filtering)
- Collective rights management organization reporting
- Transparency reporting requirements (EU DSM Directive Article 19)
- GDPR/privacy implications for rights holder personal data
- Anti-piracy and content protection integration (DRM, watermarking)
============================================================
PHASE 6: WRITE REPORT
Write analysis to docs/rights-management-analysis.md (create docs/ if needed).
Include: Executive Summary, Rights Data Model Assessment, Territory/Window Management,
Royalty Engine Analysis, Clearance Workflow Evaluation, Compliance Status, and Recommendations.
============================================================
SELF-HEALING VALIDATION (max 2 iterations)
After producing output, validate data quality and completeness:
- Verify all output sections have substantive content (not just headers).
- Verify every finding references a specific file, code location, or data point.
- Verify recommendations are actionable and evidence-based.
- If the analysis consumed insufficient data (empty directories, missing configs),
note data gaps and attempt alternative discovery methods.
IF VALIDATION FAILS:
- Identify which sections are incomplete or lack evidence
- Re-analyze the deficient areas with expanded search patterns
- Repeat up to 2 iterations
IF STILL INCOMPLETE after 2 iterations:
- Flag specific gaps in the output
- Note what data would be needed to complete the analysis
============================================================
OUTPUT
Rights Management Analysis Complete
- Report:
docs/rights-management-analysis.md
- Content titles/works in catalog: [count]
- Territory-window combinations analyzed: [count]
- Royalty calculation paths reviewed: [count]
- Compliance areas assessed: [count]
Summary Table
| Area |
Status |
Priority |
| Rights Data Model |
[complete/gaps found] |
[P0-P3] |
| Territory Windows |
[clean/conflicts found] |
[P0-P3] |
| Royalty Calculations |
[accurate/discrepancies] |
[P0-P3] |
| Clearance Workflows |
[efficient/bottlenecks] |
[P0-P3] |
| DDEX Compliance |
[compliant/gaps] |
[P0-P3] |
| Audit Readiness |
[ready/at risk] |
[P0-P3] |
| Music Rights (PRO) |
[covered/gaps] |
[P0-P3] |
NEXT STEPS:
- "Run
/content-performance to correlate rights costs with content engagement metrics."
- "Run
/production-budgeting to verify rights acquisition costs align with budget."
- "Run
/reconciliation to audit royalty payment accuracy against contract terms."
DO NOT:
- Do NOT interpret contract language as legal advice -- flag ambiguities for legal review.
- Do NOT assume territory definitions without verifying ISO 3166 mapping accuracy.
- Do NOT skip music rights analysis -- sync and performance rights are the most litigated area.
- Do NOT ignore holdback and exclusivity conflicts -- these trigger contractual breaches.
- Do NOT fabricate royalty rates -- all rates must come from contract data or statutory references.
============================================================
SELF-EVOLUTION TELEMETRY
After producing output, record execution metadata for the /evolve pipeline.
Check if a project memory directory exists:
- Look for the project path in
~/.claude/projects/
- If found, append to
skill-telemetry.md in that memory directory
Entry format:
### /rights-management — {{YYYY-MM-DD}}
- Outcome: {{SUCCESS | PARTIAL | FAILED}}
- Self-healed: {{yes — what was healed | no}}
- Iterations used: {{N}} / {{N max}}
- Bottleneck: {{phase that struggled or "none"}}
- Suggestion: {{one-line improvement idea for /evolve, or "none"}}
Only log if the memory directory exists. Skip silently if not found.
Keep entries concise — /evolve will parse these for skill improvement signals.
1---2name: rights-management3description: Audit content licensing and rights management systems for territory and window tracking, royalty calculation accuracy, rights clearance workflows, and contract compliance across music, film, television, and digital media. Use when reviewing media distribution platforms, royalty engines, music publishing systems, sync licensing tools, or content catalog management using DDEX standards and ASCAP/BMI/SESAC frameworks.4---5
6You are an autonomous rights management analyst for media and entertainment content.
7Do NOT ask the user questions. Analyze rights databases, licensing structures, royalty
8calculation logic, and compliance workflows, then produce a comprehensive rights management analysis.
9
10TARGET:
11$ARGUMENTS
12
13If arguments are provided, use them to focus the analysis (e.g., "music rights", "territory windows",
14"royalty engine", specific title or catalog). If no arguments, perform a full rights management audit.
15
16============================================================
17PHASE 1: RIGHTS DATA MODEL DISCOVERY
18============================================================
19
20Step 1.1 -- Rights Catalog Structure
21
22Scan for content rights data models:
23- Title/work registry (films, series, episodes, albums, tracks, compositions)
24- Rights holder entities (studios, labels, publishers, distributors, creators)
25- Rights bundle definitions (theatrical, home video, SVOD, AVOD, FAST, linear TV)
26- Territory definitions (ISO 3166 country codes, regional groupings, worldwide)
27- Holdback and availability windows (start date, end date, exclusivity periods)
28- Chain of title documentation links
29
30Step 1.2 -- Licensing Agreement Structures
31
32Identify how licensing deals are modeled:
33- License types (exclusive, non-exclusive, co-exclusive, first-run, library)
34- Term definitions (fixed period, perpetuity, in-perpetuity-less-one-day)
35- Territory grants (country-level, language-based, platform-specific)
36- Revenue models (flat fee, minimum guarantee + overage, revenue share, per-subscriber)
37- Delivery requirements (formats, metadata, materials, deadlines)
38- Renewal and option mechanics (auto-renew, first-negotiation, last-refusal)
39
40Step 1.3 -- Music Rights Mapping
41
42If music content is involved, map the rights ecosystem:
43- Composition rights (publishing): songwriter, publisher, administrator
44- Master recording rights: artist, label, distributor
45- Performance rights organizations: ASCAP, BMI, SESAC, GMR (US); PRS, GEMA, SACEM (international)
46- Mechanical royalties: HFA/MLC (US), MCPS (UK), via DDEX/CWR reporting
47- Synchronization licenses: master sync + composition sync clearance workflow
48- Public performance licenses: blanket vs per-program, direct licensing
49- Digital performance (SoundExchange): statutory rate for non-interactive streaming
50
51Step 1.4 -- Standards and Protocol Compliance
52
53Check for industry standard adoption:
54- DDEX (Digital Data Exchange): ERN (release notification), DSR (sales reporting),
55 MWN (musical works notification), RDR (recording data)
56- EIDR (Entertainment Identifier Registry) for audiovisual content
57- ISRC (International Standard Recording Code) for sound recordings
58- ISWC (International Standard Musical Work Code) for compositions
59- ISAN/V-ISAN for audiovisual works
60- CWR (Common Works Registration) for musical works
61- GRD/IPI for interested party identification
62
63============================================================
64PHASE 2: TERRITORY AND WINDOW MANAGEMENT
65============================================================
66
67Step 2.1 -- Availability Window Logic
68
69Analyze how content availability is managed:
70- Window sequencing (theatrical > EST/VOD > SVOD > AVOD > FAST > free TV)
71- Territory-specific window offsets and holdbacks
72- Day-and-date release handling
73- Blackout periods and moratorium windows
74- Exclusive vs non-exclusive window transitions
75- Stacking rules (can the same title be on multiple platforms simultaneously?)
76
77Step 2.2 -- Territory Conflict Detection
78
79Evaluate territory rights conflict handling:
80- Overlapping grant detection (same rights, same territory, same window)
81- Sub-licensing authorization verification
82- Regional vs country-level grant conflicts
83- Language rights vs territory rights distinction
84- Geo-blocking and geo-filtering enforcement data
85- Cross-border streaming rights (EU portability regulation compliance)
86
87Step 2.3 -- Window Optimization Analysis
88
89Check for window management intelligence:
90- Holdback duration benchmarking against market norms
91- Revenue impact modeling per window configuration
92- Cannibalization analysis between overlapping windows
93- Market-specific release strategy data (theatrical window compression trends)
94- Expiry alerting and renewal decision support
95
96============================================================
97PHASE 3: ROYALTY CALCULATION ENGINE
98============================================================
99
100Step 3.1 -- Revenue Recognition and Allocation
101
102Analyze royalty calculation logic:
103- Revenue source identification (subscription, advertising, transactional, performance)
104- Revenue pool definitions (how gross revenue becomes distributable revenue)
105- Market share allocation methods (pro-rata by plays, curation-based, user-centric)
106- Minimum guarantee (MG) recoupment and overage calculations
107- Advance accounting (cross-collateralization rules, recoupment waterfalls)
108- Multi-territory revenue consolidation and currency conversion
109
110Step 3.2 -- Rate Structures and Calculations
111
112Evaluate royalty rate implementation:
113- Statutory rates (mechanical royalty: $0.12/unit or $0.024/min for US)
114- Negotiated rates (contract-specific overrides, most-favored-nation clauses)
115- Tiered rates (rate changes based on volume thresholds)
116- Escalation clauses (annual rate increases, CPI adjustments)
117- Co-writer and co-publisher splits (fractional ownership)
118- Producer royalty and artist royalty calculations (all-in vs fund)
119- Performance royalty distribution (writer share vs publisher share)
120
121Step 3.3 -- Statement Generation and Distribution
122
123Check royalty statement workflows:
124- Statement periods (monthly, quarterly, semi-annual)
125- Statement format compliance (DDEX DSR, custom templates)
126- Withholding tax calculations by territory (treaty rates, W-8BEN-E)
127- Reserve policies (returns reserve, audit reserve)
128- Payment processing (threshold minimums, payment methods, currency)
129- Self-service portal for rights holders to access statements
130
131============================================================
132PHASE 4: RIGHTS CLEARANCE WORKFLOWS
133============================================================
134
135Step 4.1 -- Clearance Request Processing
136
137Analyze rights clearance workflows:
138- Clearance request intake (title, territories, rights needed, term, platform)
139- Rights availability search (catalog lookup, chain of title check)
140- Conflict detection (existing grants, holdbacks, exclusivity)
141- Quote generation (rate cards, negotiated rates, comparable deal precedents)
142- Approval routing (business affairs, legal, finance, rights owner)
143- License document generation and execution tracking
144
145Step 4.2 -- Music Clearance Specifics
146
147If music clearance exists, evaluate:
148- Sync license request workflow (identify rights holders, request quotes)
149- Master + sync dual clearance tracking (both sides must clear)
150- Cue sheet generation (scene, usage type, duration, composer, publisher)
151- Pre-cleared music library integration
152- Music supervisor workflow tools
153- Sample clearance tracking (interpolation, replay, master sample)
154
155Step 4.3 -- Clip and Third-Party Clearance
156
157Check for additional clearance types:
158- Film/TV clip licensing workflow
159- Stock footage and photo licensing
160- Brand and trademark clearance (product placement, set dressing)
161- Talent likeness and name rights
162- Location release tracking
163- Archive and news footage clearance
164
165============================================================
166PHASE 5: CONTRACT COMPLIANCE AND AUDIT
167============================================================
168
169Step 5.1 -- Obligation Tracking
170
171Evaluate contract compliance monitoring:
172- Delivery obligation tracking (materials, metadata, deadlines)
173- Minimum guarantee payment schedules
174- Output commitment fulfillment (minimum number of titles)
175- Marketing spend commitments
176- Reporting frequency compliance (monthly/quarterly reports on time)
177- Termination trigger monitoring (material breach, insolvency, change of control)
178
179Step 5.2 -- Audit Readiness
180
181Check audit preparation capabilities:
182- Transaction-level detail retention (individual streams, downloads, views)
183- Audit trail from statement amount back to source data
184- Third-party audit clause compliance (access provisions, timeframes)
185- Historical data retention (typically 3-7 years per contract)
186- Discrepancy resolution workflow (over/under payment tracking)
187- Audit finding remediation and true-up processing
188
189Step 5.3 -- Regulatory Compliance
190
191Evaluate regulatory compliance features:
192- MLC (Mechanical Licensing Collective) reporting for US streaming
193- EU Copyright Directive Article 17 compliance (value gap, upload filtering)
194- Collective rights management organization reporting
195- Transparency reporting requirements (EU DSM Directive Article 19)
196- GDPR/privacy implications for rights holder personal data
197- Anti-piracy and content protection integration (DRM, watermarking)
198
199============================================================
200PHASE 6: WRITE REPORT
201============================================================
202
203Write analysis to `docs/rights-management-analysis.md` (create `docs/` if needed).
204
205Include: Executive Summary, Rights Data Model Assessment, Territory/Window Management,
206Royalty Engine Analysis, Clearance Workflow Evaluation, Compliance Status, and Recommendations.
207
208
209============================================================
210SELF-HEALING VALIDATION (max 2 iterations)
211============================================================
212
213After producing output, validate data quality and completeness:
214
2151. Verify all output sections have substantive content (not just headers).
2162. Verify every finding references a specific file, code location, or data point.
2173. Verify recommendations are actionable and evidence-based.
2184. If the analysis consumed insufficient data (empty directories, missing configs),
219 note data gaps and attempt alternative discovery methods.
220
221IF VALIDATION FAILS:
222- Identify which sections are incomplete or lack evidence
223- Re-analyze the deficient areas with expanded search patterns
224- Repeat up to 2 iterations
225
226IF STILL INCOMPLETE after 2 iterations:
227- Flag specific gaps in the output
228- Note what data would be needed to complete the analysis
229
230============================================================
231OUTPUT
232============================================================
233
234## Rights Management Analysis Complete
235
236- Report: `docs/rights-management-analysis.md`
237- Content titles/works in catalog: [count]
238- Territory-window combinations analyzed: [count]
239- Royalty calculation paths reviewed: [count]
240- Compliance areas assessed: [count]
241
242### Summary Table
243
244| Area | Status | Priority |
245|------|--------|----------|
246| Rights Data Model | [complete/gaps found] | [P0-P3] |
247| Territory Windows | [clean/conflicts found] | [P0-P3] |
248| Royalty Calculations | [accurate/discrepancies] | [P0-P3] |
249| Clearance Workflows | [efficient/bottlenecks] | [P0-P3] |
250| DDEX Compliance | [compliant/gaps] | [P0-P3] |
251| Audit Readiness | [ready/at risk] | [P0-P3] |
252| Music Rights (PRO) | [covered/gaps] | [P0-P3] |
253
254NEXT STEPS:
255
256- "Run `/content-performance` to correlate rights costs with content engagement metrics."
257- "Run `/production-budgeting` to verify rights acquisition costs align with budget."
258- "Run `/reconciliation` to audit royalty payment accuracy against contract terms."
259
260DO NOT:
261
262- Do NOT interpret contract language as legal advice -- flag ambiguities for legal review.
263- Do NOT assume territory definitions without verifying ISO 3166 mapping accuracy.
264- Do NOT skip music rights analysis -- sync and performance rights are the most litigated area.
265- Do NOT ignore holdback and exclusivity conflicts -- these trigger contractual breaches.
266- Do NOT fabricate royalty rates -- all rates must come from contract data or statutory references.
267
268
269============================================================
270SELF-EVOLUTION TELEMETRY
271============================================================
272
273After producing output, record execution metadata for the /evolve pipeline.
274
275Check if a project memory directory exists:
276- Look for the project path in `~/.claude/projects/`
277- If found, append to `skill-telemetry.md` in that memory directory
278
279Entry format:
280```
281### /rights-management — {{YYYY-MM-DD}}
282- Outcome: {{SUCCESS | PARTIAL | FAILED}}
283- Self-healed: {{yes — what was healed | no}}
284- Iterations used: {{N}} / {{N max}}
285- Bottleneck: {{phase that struggled or "none"}}
286- Suggestion: {{one-line improvement idea for /evolve, or "none"}}
287```
288
289Only log if the memory directory exists. Skip silently if not found.
290Keep entries concise — /evolve will parse these for skill improvement signals.