Creative Writing Skill
Patterns for fiction, narrative structure, character development, dialogue, and storytelling craft.
Book Project Scaffolding
Recommended Folder Structure
book-project/
├── .github/
│ ├── copilot-instructions.md # Book-specific Alex context
│ └── prompts/
│ └── chapter-review.prompt.md
├── outline/
│ ├── BOOK-PLAN.md # Synopsis, themes, timeline
│ ├── PLOT-OUTLINE.md # Beat sheet or chapter summaries
│ └── TIMELINE.md # Story timeline (if complex)
├── characters/
│ ├── CHARACTER-BIBLE.md # All characters in one file
│ └── [character-name].md # Deep dives for major characters
├── worldbuilding/ # For fantasy/sci-fi/historical
│ ├── WORLD-BIBLE.md # Rules, history, geography
│ ├── magic-system.md # If applicable
│ └── locations/ # Location details
├── research/ # For historical, technical, etc.
│ ├── RESEARCH-LOG.md # What you've researched
│ └── notes/ # Source notes
├── chapters/
│ ├── act-1/
│ │ ├── ch01-[slug].md
│ │ └── ch02-[slug].md
│ ├── act-2/
│ └── act-3/
├── drafts/
│ ├── draft-1/ # Complete manuscript versions
│ └── draft-2/
├── scenes/ # Loose scenes not yet placed
└── README.md # Project overview
BOOK-PLAN.md Template
# Book Plan: [Title]
## Logline
[One sentence that captures the core conflict]
## Synopsis
[2-3 paragraph summary]
## Genre & Comparables
- **Genre**: [Primary genre + subgenre]
- **Comp Titles**: [Book] meets [Book]
- **Target Audience**: [Who is this for]
## Themes
1. [Primary theme — what is this book ABOUT thematically?]
2. [Secondary theme]
## Structure
- **Format**: [Novel / Novella / Short Story Collection]
- **POV**: [First / Third Limited / Multiple]
- **Tense**: [Past / Present]
- **Target Word Count**: [XX,000]
## Timeline
| Phase | Duration | Deliverable |
|-------|----------|-------------|
| Outline | Weeks 1-2 | PLOT-OUTLINE.md complete |
| Draft 1 | Weeks 3-10 | Rough draft in drafts/draft-1/ |
| Revision | Weeks 11-14 | Draft 2 |
| Beta | Weeks 15-18 | Beta feedback incorporated |
| Polish | Weeks 19-20 | Submission-ready |
## Success Criteria
- [ ] First draft complete
- [ ] [Other goals]
CHARACTER-BIBLE.md Template
# Character Bible
## Main Characters
### [Character Name] — [Role: Protagonist/Antagonist/etc.]
- **Age**:
- **Occupation**:
- **Want** (external goal):
- **Need** (internal growth):
- **Lie** (false belief):
- **Ghost** (wound from past):
- **Arc**: [Positive/Negative/Flat]
**Voice notes**: [How they speak, verbal tics, vocabulary level]
**Appearance**: [Key visual details]
**Relationships**:
| Character | Relationship | Dynamic |
|-----------|-------------|---------|
| [Name] | [Role] | [How they interact] |
---
### [Next Character]
...
## Supporting Characters
| Name | Role | One-Line Description |
|------|------|---------------------|
| [Name] | [Best friend] | [Brief] |
copilot-instructions.md Template (Fiction Projects)
# [Book Title] — Writing Context
## Project Overview
[2-3 sentence summary: genre, premise, current status]
## Current Phase
- [x] Outlining
- [ ] Drafting (Chapter X of Y)
- [ ] Revision
- [ ] Beta/Feedback
## Key Files
- Book plan: outline/BOOK-PLAN.md
- Plot: outline/PLOT-OUTLINE.md
- Characters: characters/CHARACTER-BIBLE.md
- World: worldbuilding/WORLD-BIBLE.md (if applicable)
## Alex Guidance
- **Voice**: [Describe the narrative voice — literary, commercial, etc.]
- **POV Rules**: [Third limited / No head-hopping / etc.]
- **Tone**: [Dark, humorous, lyrical, etc.]
- When suggesting dialogue: Match character voice from CHARACTER-BIBLE.md
- When reviewing scenes: Check against PLOT-OUTLINE.md for consistency
## Don't
- Don't make the prose purple/overwrought
- Don't add characters not in CHARACTER-BIBLE.md without discussion
- Don't resolve tension too easily
## World Rules (if applicable)
[Key constraints: magic rules, historical accuracy needs, etc.]
Book Project Audit Checklist
## Book Project Audit
### Structure Assessment
- [ ] Has outline/ with BOOK-PLAN.md
- [ ] Character documentation exists
- [ ] Chapters organized (by act or sequentially)
- [ ] Drafts versioned separately
### Alex-Readiness Assessment
- [ ] copilot-instructions.md exists with project context
- [ ] Current phase clearly marked
- [ ] Voice/tone guidance provided
- [ ] Key files linked
### Craft Documentation
- [ ] Character arcs defined (want/need/lie)
- [ ] Plot structure documented
- [ ] World rules captured (if applicable)
- [ ] Research tracked (if needed)
Story Structure Models
Three-Act Structure
| Act |
Purpose |
Proportion |
| Act I: Setup |
Introduce world, character, conflict |
25% |
| Act II: Confrontation |
Rising stakes, complications |
50% |
| Act III: Resolution |
Climax, resolution, denouement |
25% |
Key Plot Points
Act I Act II Act III
┌─────────────────┬──────────────────────────┬─────────────────┐
│ │ │ │
│ Inciting Turning Midpoint Turning Climax │
│ Incident Point 1 Point 2 │
│ ↓ ↓ ↓ ↓ ↓ │
└──────┴──────────┴──────────┴─────────┴──────────┴───────────┘
10% 25% 50% 75% 90%
Alternative Structures
| Structure |
Best For |
Key Feature |
| Hero's Journey |
Epic, fantasy |
12 stages, transformation |
| Save the Cat |
Commercial fiction |
15 beats, clear timing |
| Seven-Point |
Plotting from ending |
Hook → Resolution |
| Freytag's Pyramid |
Classic drama |
Rising/falling action |
| Kishōtenketsu |
Eastern narrative |
No conflict required |
| In Medias Res |
Thrillers |
Start in middle of action |
Character Development
Character Dimensions
| Dimension |
Questions |
| Want (External) |
What does the character pursue? |
| Need (Internal) |
What must they learn/change? |
| Lie |
What false belief holds them back? |
| Ghost |
What past event created the lie? |
| Flaw |
What weakness emerges from the lie? |
| Strength |
What positive trait will save them? |
Character Arc Types
| Arc |
Description |
Example |
| Positive |
Overcomes flaw, achieves need |
Most protagonists |
| Negative |
Succumbs to flaw, tragic end |
Breaking Bad |
| Flat |
Changes others, not self |
Sherlock Holmes |
| Corruption |
Starts good, ends bad |
Anakin Skywalker |
| Disillusionment |
Loses positive belief |
Noir protagonists |
Character Voice Checklist
- Vocabulary level and word choice
- Sentence rhythm and length
- Speech patterns and verbal tics
- What they notice (reveals values)
- What they avoid talking about
- How they refer to others
- Unique expressions or phrases
Dialogue Craft
Dialogue Functions
| Function |
Example |
| Reveal character |
Word choice shows personality |
| Advance plot |
Deliver essential information |
| Create tension |
Subtext, disagreement |
| Establish relationships |
How characters speak to each other |
| Provide exposition |
Disguised as natural conversation |
Subtext Techniques
| Technique |
How It Works |
| Saying opposite |
"I'm fine" (clearly not fine) |
| Deflection |
Answering a different question |
| Non-sequitur |
Changing subject reveals discomfort |
| Action contradiction |
Words say one thing, actions another |
| Silence |
What's NOT said speaks volumes |
Dialogue Tags
| Tag Type |
Usage |
| "Said" |
Invisible, preferred for most |
| Action beat |
"I know." She turned away. |
| Specific verb |
"Whispered" (sparingly) |
| Adverb |
Avoid "said angrily" — show instead |
Dialogue Formatting
- New speaker = new paragraph
- Action by speaker in same paragraph
- Use contractions naturally
- Read aloud to test flow
- Cut greetings and small talk (usually)
Point of View
POV Options
| POV |
Advantages |
Limitations |
| First Person |
Intimate, voice-driven |
Limited to narrator's knowledge |
| Third Limited |
Flexible, maintains intimacy |
One character's head at a time |
| Third Omniscient |
All-knowing narrator |
Can feel distant |
| Second Person |
Immersive, unusual |
Hard to sustain |
| Multiple POV |
Multiple perspectives |
Risk confusing reader |
POV Consistency Rules
- Don't "head hop" within scenes
- Signal POV shifts clearly (chapter/section break)
- Maintain consistent psychic distance
- Filter everything through POV character's perception
Scene Construction
Scene vs. Summary
| Scene |
Summary |
| Moment-by-moment |
Compressed time |
| Dialogue, action |
Narration |
| High importance |
Transition, backstory |
| Show |
Tell |
Scene Checklist
Scene-Sequel Pattern
| Scene |
Sequel |
| Goal |
Reaction (emotion) |
| Conflict |
Dilemma (thought) |
| Disaster |
Decision (action) |
Prose Style
Show vs. Tell
| Telling |
Showing |
| "She was angry" |
Her jaw tightened. She gripped the table edge. |
| "He was nervous" |
He wiped his palms on his pants for the third time. |
| "The room was old" |
Dust motes floated through slanted light. Wallpaper peeled at the corners. |
Sensory Details
| Sense |
Often Forgotten |
| Sight |
✓ Usually covered |
| Sound |
Ambient sounds, silence |
| Smell |
Powerful memory trigger |
| Touch/Texture |
Temperature, surfaces |
| Taste |
Beyond food — fear, excitement |
Prose Rhythm
- Vary sentence length
- Short sentences = tension, speed
- Long sentences = description, reflection
- Fragment for emphasis
- Read aloud to check flow
Genre Conventions
Genre Expectations
| Genre |
Reader Expects |
| Mystery |
Fair clues, satisfying solution |
| Romance |
HEA (Happily Ever After) |
| Thriller |
High stakes, fast pace |
| Fantasy |
Consistent magic system |
| Literary |
Beautiful prose, deep themes |
| Horror |
Building dread, catharsis |
Genre Blending
- Know both genres' conventions
- Identify which is primary
- Meet core expectations of primary
- Add elements from secondary
Revision Strategies
Revision Passes
| Pass |
Focus |
| 1. Story |
Plot holes, arc, structure |
| 2. Character |
Consistency, motivation, voice |
| 3. Scene |
Pacing, purpose, tension |
| 4. Prose |
Sentences, words, rhythm |
| 5. Polish |
Typos, formatting |
Beta Reader Questions
- Where were you confused?
- Where did you get bored?
- What did you predict?
- Which characters felt real?
- What would you cut?
Kill Your Darlings
If a passage is:
- Beautiful but slows pacing
- Clever but confuses
- Beloved but unnecessary
...consider cutting it.
Screenwriting Specifics
Screenplay Format
SCENE HEADING (SLUGLINE)
INT. COFFEE SHOP - DAY
Action lines describe what we SEE and HEAR.
Present tense. Active voice. Brief.
CHARACTER NAME
Dialogue goes here. Keep it snappy.
OTHER CHARACTER
(parenthetical)
Response with direction if needed.
Visual Storytelling
- Show don't tell (literally)
- Enter scenes late, leave early
- Action reveals character
- Subtext over on-the-nose dialogue
- One page ≈ one minute of screen time
Poetry Elements
Poetic Devices
| Device |
Effect |
| Imagery |
Sensory experience |
| Metaphor |
Comparison without "like" |
| Simile |
Comparison with "like/as" |
| Alliteration |
Repeated initial sounds |
| Assonance |
Repeated vowel sounds |
| Enjambment |
Line breaks mid-thought |
Form Considerations
- Free verse — no set rules
- Sonnet — 14 lines, specific rhyme
- Haiku — 5-7-5 syllables
- Villanelle — 19 lines, refrains
Falsifiability
- This skill adds no value if output quality does not measurably differ between sessions that activate it and sessions that do not
- The form constraints are wrong if they produce stilted or unnatural prose that the user consistently overrides
- Stale if contemporary creative writing conventions shift away from the structures documented here
1---2name: creative-writing3description: Patterns for fiction, narrative structure, character development, dialogue, and storytelling craft.4---56# Creative Writing Skill78> Patterns for fiction, narrative structure, character development, dialogue, and storytelling craft.910---1112## Book Project Scaffolding1314### Recommended Folder Structure1516```text17book-project/18├── .github/19│ ├── copilot-instructions.md # Book-specific Alex context20│ └── prompts/21│ └── chapter-review.prompt.md22├── outline/23│ ├── BOOK-PLAN.md # Synopsis, themes, timeline24│ ├── PLOT-OUTLINE.md # Beat sheet or chapter summaries25│ └── TIMELINE.md # Story timeline (if complex)26├── characters/27│ ├── CHARACTER-BIBLE.md # All characters in one file28│ └── [character-name].md # Deep dives for major characters29├── worldbuilding/ # For fantasy/sci-fi/historical30│ ├── WORLD-BIBLE.md # Rules, history, geography31│ ├── magic-system.md # If applicable32│ └── locations/ # Location details33├── research/ # For historical, technical, etc.34│ ├── RESEARCH-LOG.md # What you've researched35│ └── notes/ # Source notes36├── chapters/37│ ├── act-1/38│ │ ├── ch01-[slug].md39│ │ └── ch02-[slug].md40│ ├── act-2/41│ └── act-3/42├── drafts/43│ ├── draft-1/ # Complete manuscript versions44│ └── draft-2/45├── scenes/ # Loose scenes not yet placed46└── README.md # Project overview47```4849### BOOK-PLAN.md Template5051```markdown52# Book Plan: [Title]5354## Logline55[One sentence that captures the core conflict]5657## Synopsis58[2-3 paragraph summary]5960## Genre & Comparables61- **Genre**: [Primary genre + subgenre]62- **Comp Titles**: [Book] meets [Book]63- **Target Audience**: [Who is this for]6465## Themes661. [Primary theme — what is this book ABOUT thematically?]672. [Secondary theme]6869## Structure70- **Format**: [Novel / Novella / Short Story Collection]71- **POV**: [First / Third Limited / Multiple]72- **Tense**: [Past / Present]73- **Target Word Count**: [XX,000]7475## Timeline76| Phase | Duration | Deliverable |77|-------|----------|-------------|78| Outline | Weeks 1-2 | PLOT-OUTLINE.md complete |79| Draft 1 | Weeks 3-10 | Rough draft in drafts/draft-1/ |80| Revision | Weeks 11-14 | Draft 2 |81| Beta | Weeks 15-18 | Beta feedback incorporated |82| Polish | Weeks 19-20 | Submission-ready |8384## Success Criteria85- [ ] First draft complete86- [ ] [Other goals]87```8889### CHARACTER-BIBLE.md Template9091```markdown92# Character Bible9394## Main Characters9596### [Character Name] — [Role: Protagonist/Antagonist/etc.]97- **Age**:98- **Occupation**:99- **Want** (external goal):100- **Need** (internal growth):101- **Lie** (false belief):102- **Ghost** (wound from past):103- **Arc**: [Positive/Negative/Flat]104105**Voice notes**: [How they speak, verbal tics, vocabulary level]106107**Appearance**: [Key visual details]108109**Relationships**:110| Character | Relationship | Dynamic |111|-----------|-------------|---------|112| [Name] | [Role] | [How they interact] |113114---115116### [Next Character]117...118119## Supporting Characters120121| Name | Role | One-Line Description |122|------|------|---------------------|123| [Name] | [Best friend] | [Brief] |124```125126### copilot-instructions.md Template (Fiction Projects)127128```markdown129# [Book Title] — Writing Context130131## Project Overview132[2-3 sentence summary: genre, premise, current status]133134## Current Phase135- [x] Outlining136- [ ] Drafting (Chapter X of Y)137- [ ] Revision138- [ ] Beta/Feedback139140## Key Files141- Book plan: outline/BOOK-PLAN.md142- Plot: outline/PLOT-OUTLINE.md143- Characters: characters/CHARACTER-BIBLE.md144- World: worldbuilding/WORLD-BIBLE.md (if applicable)145146## Alex Guidance147- **Voice**: [Describe the narrative voice — literary, commercial, etc.]148- **POV Rules**: [Third limited / No head-hopping / etc.]149- **Tone**: [Dark, humorous, lyrical, etc.]150- When suggesting dialogue: Match character voice from CHARACTER-BIBLE.md151- When reviewing scenes: Check against PLOT-OUTLINE.md for consistency152153## Don't154- Don't make the prose purple/overwrought155- Don't add characters not in CHARACTER-BIBLE.md without discussion156- Don't resolve tension too easily157158## World Rules (if applicable)159[Key constraints: magic rules, historical accuracy needs, etc.]160```161162### Book Project Audit Checklist163164```markdown165## Book Project Audit166167### Structure Assessment168- [ ] Has outline/ with BOOK-PLAN.md169- [ ] Character documentation exists170- [ ] Chapters organized (by act or sequentially)171- [ ] Drafts versioned separately172173### Alex-Readiness Assessment174- [ ] copilot-instructions.md exists with project context175- [ ] Current phase clearly marked176- [ ] Voice/tone guidance provided177- [ ] Key files linked178179### Craft Documentation180- [ ] Character arcs defined (want/need/lie)181- [ ] Plot structure documented182- [ ] World rules captured (if applicable)183- [ ] Research tracked (if needed)184```185186---187188## Story Structure Models189190### Three-Act Structure191192| Act | Purpose | Proportion |193| --- | ------- | ---------- |194| **Act I: Setup** | Introduce world, character, conflict | 25% |195| **Act II: Confrontation** | Rising stakes, complications | 50% |196| **Act III: Resolution** | Climax, resolution, denouement | 25% |197198### Key Plot Points199200```text201Act I Act II Act III202┌─────────────────┬──────────────────────────┬─────────────────┐203│ │ │ │204│ Inciting Turning Midpoint Turning Climax │205│ Incident Point 1 Point 2 │206│ ↓ ↓ ↓ ↓ ↓ │207└──────┴──────────┴──────────┴─────────┴──────────┴───────────┘208 10% 25% 50% 75% 90%209```210211### Alternative Structures212213| Structure | Best For | Key Feature |214| --------- | -------- | ----------- |215| **Hero's Journey** | Epic, fantasy | 12 stages, transformation |216| **Save the Cat** | Commercial fiction | 15 beats, clear timing |217| **Seven-Point** | Plotting from ending | Hook → Resolution |218| **Freytag's Pyramid** | Classic drama | Rising/falling action |219| **Kishōtenketsu** | Eastern narrative | No conflict required |220| **In Medias Res** | Thrillers | Start in middle of action |221222## Character Development223224### Character Dimensions225226| Dimension | Questions |227| --------- | --------- |228| **Want** (External) | What does the character pursue? |229| **Need** (Internal) | What must they learn/change? |230| **Lie** | What false belief holds them back? |231| **Ghost** | What past event created the lie? |232| **Flaw** | What weakness emerges from the lie? |233| **Strength** | What positive trait will save them? |234235### Character Arc Types236237| Arc | Description | Example |238| --- | ----------- | ------- |239| **Positive** | Overcomes flaw, achieves need | Most protagonists |240| **Negative** | Succumbs to flaw, tragic end | Breaking Bad |241| **Flat** | Changes others, not self | Sherlock Holmes |242| **Corruption** | Starts good, ends bad | Anakin Skywalker |243| **Disillusionment** | Loses positive belief | Noir protagonists |244245### Character Voice Checklist246247- Vocabulary level and word choice248- Sentence rhythm and length249- Speech patterns and verbal tics250- What they notice (reveals values)251- What they avoid talking about252- How they refer to others253- Unique expressions or phrases254255## Dialogue Craft256257### Dialogue Functions258259| Function | Example |260| -------- | ------- |261| **Reveal character** | Word choice shows personality |262| **Advance plot** | Deliver essential information |263| **Create tension** | Subtext, disagreement |264| **Establish relationships** | How characters speak to each other |265| **Provide exposition** | Disguised as natural conversation |266267### Subtext Techniques268269| Technique | How It Works |270| --------- | ------------ |271| **Saying opposite** | "I'm fine" (clearly not fine) |272| **Deflection** | Answering a different question |273| **Non-sequitur** | Changing subject reveals discomfort |274| **Action contradiction** | Words say one thing, actions another |275| **Silence** | What's NOT said speaks volumes |276277### Dialogue Tags278279| Tag Type | Usage |280| -------- | ----- |281| "Said" | Invisible, preferred for most |282| Action beat | "I know." She turned away. |283| Specific verb | "Whispered" (sparingly) |284| Adverb | Avoid "said angrily" — show instead |285286### Dialogue Formatting287288- New speaker = new paragraph289- Action by speaker in same paragraph290- Use contractions naturally291- Read aloud to test flow292- Cut greetings and small talk (usually)293294## Point of View295296### POV Options297298| POV | Advantages | Limitations |299| --- | ---------- | ----------- |300| **First Person** | Intimate, voice-driven | Limited to narrator's knowledge |301| **Third Limited** | Flexible, maintains intimacy | One character's head at a time |302| **Third Omniscient** | All-knowing narrator | Can feel distant |303| **Second Person** | Immersive, unusual | Hard to sustain |304| **Multiple POV** | Multiple perspectives | Risk confusing reader |305306### POV Consistency Rules307308- Don't "head hop" within scenes309- Signal POV shifts clearly (chapter/section break)310- Maintain consistent psychic distance311- Filter everything through POV character's perception312313## Scene Construction314315### Scene vs. Summary316317| Scene | Summary |318| ----- | ------- |319| Moment-by-moment | Compressed time |320| Dialogue, action | Narration |321| High importance | Transition, backstory |322| Show | Tell |323324### Scene Checklist325326- [ ] Clear POV character327- [ ] Character wants something328- [ ] Obstacle to that want329- [ ] Something changes by end330- [ ] Hooks to next scene331332### Scene-Sequel Pattern333334| Scene | Sequel |335| ----- | ------ |336| Goal | Reaction (emotion) |337| Conflict | Dilemma (thought) |338| Disaster | Decision (action) |339340## Prose Style341342### Show vs. Tell343344| Telling | Showing |345| ------- | ------- |346| "She was angry" | Her jaw tightened. She gripped the table edge. |347| "He was nervous" | He wiped his palms on his pants for the third time. |348| "The room was old" | Dust motes floated through slanted light. Wallpaper peeled at the corners. |349350### Sensory Details351352| Sense | Often Forgotten |353| ----- | --------------- |354| Sight | ✓ Usually covered |355| Sound | Ambient sounds, silence |356| Smell | Powerful memory trigger |357| Touch/Texture | Temperature, surfaces |358| Taste | Beyond food — fear, excitement |359360### Prose Rhythm361362- Vary sentence length363- Short sentences = tension, speed364- Long sentences = description, reflection365- Fragment for emphasis366- Read aloud to check flow367368## Genre Conventions369370### Genre Expectations371372| Genre | Reader Expects |373| ----- | -------------- |374| **Mystery** | Fair clues, satisfying solution |375| **Romance** | HEA (Happily Ever After) |376| **Thriller** | High stakes, fast pace |377| **Fantasy** | Consistent magic system |378| **Literary** | Beautiful prose, deep themes |379| **Horror** | Building dread, catharsis |380381### Genre Blending382383- Know both genres' conventions384- Identify which is primary385- Meet core expectations of primary386- Add elements from secondary387388## Revision Strategies389390### Revision Passes391392| Pass | Focus |393| ---- | ----- |394| **1. Story** | Plot holes, arc, structure |395| **2. Character** | Consistency, motivation, voice |396| **3. Scene** | Pacing, purpose, tension |397| **4. Prose** | Sentences, words, rhythm |398| **5. Polish** | Typos, formatting |399400### Beta Reader Questions401402- Where were you confused?403- Where did you get bored?404- What did you predict?405- Which characters felt real?406- What would you cut?407408### Kill Your Darlings409410If a passage is:411412- Beautiful but slows pacing413- Clever but confuses414- Beloved but unnecessary415416...consider cutting it.417418## Screenwriting Specifics419420### Screenplay Format421422```text423SCENE HEADING (SLUGLINE)424INT. COFFEE SHOP - DAY425426Action lines describe what we SEE and HEAR.427Present tense. Active voice. Brief.428429 CHARACTER NAME430 Dialogue goes here. Keep it snappy.431432 OTHER CHARACTER433 (parenthetical)434 Response with direction if needed.435```436437### Visual Storytelling438439- Show don't tell (literally)440- Enter scenes late, leave early441- Action reveals character442- Subtext over on-the-nose dialogue443- One page ≈ one minute of screen time444445## Poetry Elements446447### Poetic Devices448449| Device | Effect |450| ------ | ------ |451| **Imagery** | Sensory experience |452| **Metaphor** | Comparison without "like" |453| **Simile** | Comparison with "like/as" |454| **Alliteration** | Repeated initial sounds |455| **Assonance** | Repeated vowel sounds |456| **Enjambment** | Line breaks mid-thought |457458### Form Considerations459460- Free verse — no set rules461- Sonnet — 14 lines, specific rhyme462- Haiku — 5-7-5 syllables463- Villanelle — 19 lines, refrains464465## Falsifiability466467- This skill adds no value if output quality does not measurably differ between sessions that activate it and sessions that do not468- The form constraints are wrong if they produce stilted or unnatural prose that the user consistently overrides469- Stale if contemporary creative writing conventions shift away from the structures documented here
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