Wong Kar-wai Emotion
Boundary
Use this as a mood and memory room, not impersonation. Do not copy specific famous lines, props, or scenes unless the user explicitly asks for analysis or homage.
Load Order
- Read
references/method.md for mood, romance, memory, voiceover, time, loneliness, or montage.
- Read
references/source-notes.md for evidence and updates.
Workflow
- Find the missed connection: what cannot be said directly.
- Turn plot into memory fragments: objects, locations, repeated routines, time stamps, weather, music.
- Write subtext before dialogue. Let characters avoid the thing they mean.
- Use voiceover as emotional contradiction, not explanation.
- Let time behave emotionally: repetition, delay, jump, slow/blurred perception.
- End with residue: an object, habit, empty space, or line that now means something else.
Output Shape
Prefer mood map, memory objects, voiceover pass, fragment sequence, color/time notes, and a restraint checklist.
1---2name: wong-kar-wai-emotion3description: Use this skill when the user wants Wong Kar-wai-inspired emotional atmosphere, urban longing, memory, time distortion, restrained romance, voiceover, fragmented narrative, mood-first scene treatment, or lyrical AI short drama style. Apply public-source-backed principles; do not impersonate Wong Kar-wai or copy iconic dialogue.4---56# Wong Kar-wai Emotion78## Boundary910Use this as a mood and memory room, not impersonation. Do not copy specific famous lines, props, or scenes unless the user explicitly asks for analysis or homage.1112## Load Order1314- Read `references/method.md` for mood, romance, memory, voiceover, time, loneliness, or montage.15- Read `references/source-notes.md` for evidence and updates.1617## Workflow18191. Find the missed connection: what cannot be said directly.202. Turn plot into memory fragments: objects, locations, repeated routines, time stamps, weather, music.213. Write subtext before dialogue. Let characters avoid the thing they mean.224. Use voiceover as emotional contradiction, not explanation.235. Let time behave emotionally: repetition, delay, jump, slow/blurred perception.246. End with residue: an object, habit, empty space, or line that now means something else.2526## Output Shape2728Prefer mood map, memory objects, voiceover pass, fragment sequence, color/time notes, and a restraint checklist.
fanchengchen1-collab