Reference Match
Translate a reference track or artist into concrete production choices. We do not download or analyze copyrighted audio. We use known sonic signatures and the user's own ears.
Workflow
1. Identify the reference
Ask if not given: "Which track or artist? And which aspect — the arrangement, the mix, the sound design, or the overall vibe?"
2. Pull the sonic signature from common knowledge
Map the reference to its known characteristics. Examples:
| Reference |
Signature |
| Ólafur Arnalds |
Felt piano, string ensemble (often Spitfire), tape saturation, slow tempo (60-80), minor key, sparse arrangement, long reverb tails, microphone proximity sound |
| Tame Impala (Currents-era) |
LinnDrum patterns, OP-1 synths, heavy chorus on guitar, vocoded vocals, sidechained bass, 60-90 BPM, vintage drum saturation |
| Bonobo |
Live percussion + electronic drums, jazz harmony, vinyl crackle textures, mid-tempo (90-110), wide stereo, heavy use of sample chops |
| Burial |
Vinyl/cassette texture, rain/atmosphere, pitched-up vocal samples, sub bass, garage-2step rhythm, lo-fi hihats, minor 7 chords |
| Kendrick (DAMN era) |
808 sub, trap hi-hats, jazz samples, vocal layering, heavy compression, mid-side EQ for vocal width |
| Billie Eilish (early) |
Whisper vocal up close, sparse 808, finger snaps, sub-heavy mix, heavy automation, breath sounds intentionally left in |
| Skrillex |
Heavy modulation on bass (vocal-formant LFOs), drops with stutter edits, 14k+ shimmer on leads, super-wide stereo, side-chained pump |
| Hans Zimmer |
Massive low brass (often layered with synth), Trinity choir (low + bright), pulsing ostinatos, slow chord swells, 1-second+ reverb tails |
| Lo-fi hip hop (Lofigirl-style) |
Wurlitzer/Rhodes, jazz chords, vinyl crackle, tape saturation, 70-90 BPM, 50% wet drums, swung 16ths |
3. Translate to action
For each aspect the user cares about, propose moves:
Arrangement
- Match section structure (Bonobo = long intros; Skrillex = constant motion)
- Match density (Billie = sparse, Skrillex = dense)
Mix
- LUFS target (lo-fi/Bonobo: -10 to -8 LUFS, modern pop: -8 to -6, cinematic: -16 to -14)
- Stereo width (cinematic: narrow; EDM: very wide)
- Frequency balance (trap: heavy 50-80Hz; folk/acoustic: balanced midrange)
Sound design
- Pick instruments matching the era/style
- Use the right synth patches (vintage analog vs modern digital)
- Match drum kit character (vinyl sample vs modern punchy)
Effects
- Reverb type (Hall for cinematic; Plate for vocals; Spring for surf-rock; Room for tight modern pop)
- Tape/vinyl saturation (essential for Bonobo, lo-fi, Tame Impala)
- Chorus (Tame Impala, dream pop, '80s)
4. Ask the user to listen and direct
Don't apply everything blindly. Pick the 3 most distinctive elements of the reference and propose them first:
"Top 3 Ólafur signatures I'd start with: (1) felt piano via Spitfire Originals or stock Grand Piano with the lid closed setting + tape sat; (2) slow swelling string pad with 2-second attack + reverb send 40%; (3) tempo 70 BPM, minor key, 4/4 but with rubato feel via velocity-driven micro-timing. Apply these first, listen, then iterate?"
5. Iterate
After the user listens, refine based on what's still wrong. References are inherently approximate — embrace the iteration loop.
Don'ts
- Don't claim to "exactly clone" anyone's sound. We approximate the recipe.
- Don't download or process copyrighted audio.
- Don't recommend specific sample packs unless they're public (Splice, Output) and the user has them.
- Don't apply more than 3 reference moves before letting the user listen.
When the reference is unfamiliar to you
If you don't know the reference: ask the user to describe what they like about it. ("Is it the drums? The vocal effect? The arrangement?") Then apply the technique that matches their description — you don't need to know the artist to translate "warm, lo-fi, jazzy chords" into action.
1---2name: reference-match3description: Use when the user references another track they want to emulate the vibe/sound of. Examples - "make this sound like Ólafur Arnalds", "I want a Tame Impala vibe", "match the mix of Kendrick's Money Trees". Translates artist/track references into actionable production decisions.4---56# Reference Match78Translate a reference track or artist into concrete production choices. We do **not** download or analyze copyrighted audio. We use known sonic signatures and the user's own ears.910## Workflow1112### 1. Identify the reference1314Ask if not given: "Which track or artist? And which aspect — the arrangement, the mix, the sound design, or the overall vibe?"1516### 2. Pull the sonic signature from common knowledge1718Map the reference to its known characteristics. Examples:1920| Reference | Signature |21| --- | --- |22| **Ólafur Arnalds** | Felt piano, string ensemble (often Spitfire), tape saturation, slow tempo (60-80), minor key, sparse arrangement, long reverb tails, microphone proximity sound |23| **Tame Impala (Currents-era)** | LinnDrum patterns, OP-1 synths, heavy chorus on guitar, vocoded vocals, sidechained bass, 60-90 BPM, vintage drum saturation |24| **Bonobo** | Live percussion + electronic drums, jazz harmony, vinyl crackle textures, mid-tempo (90-110), wide stereo, heavy use of sample chops |25| **Burial** | Vinyl/cassette texture, rain/atmosphere, pitched-up vocal samples, sub bass, garage-2step rhythm, lo-fi hihats, minor 7 chords |26| **Kendrick (DAMN era)** | 808 sub, trap hi-hats, jazz samples, vocal layering, heavy compression, mid-side EQ for vocal width |27| **Billie Eilish (early)** | Whisper vocal up close, sparse 808, finger snaps, sub-heavy mix, heavy automation, breath sounds intentionally left in |28| **Skrillex** | Heavy modulation on bass (vocal-formant LFOs), drops with stutter edits, 14k+ shimmer on leads, super-wide stereo, side-chained pump |29| **Hans Zimmer** | Massive low brass (often layered with synth), Trinity choir (low + bright), pulsing ostinatos, slow chord swells, 1-second+ reverb tails |30| **Lo-fi hip hop (Lofigirl-style)** | Wurlitzer/Rhodes, jazz chords, vinyl crackle, tape saturation, 70-90 BPM, 50% wet drums, swung 16ths |3132### 3. Translate to action3334For each aspect the user cares about, propose moves:3536#### Arrangement37- Match section structure (Bonobo = long intros; Skrillex = constant motion)38- Match density (Billie = sparse, Skrillex = dense)3940#### Mix41- LUFS target (lo-fi/Bonobo: -10 to -8 LUFS, modern pop: -8 to -6, cinematic: -16 to -14)42- Stereo width (cinematic: narrow; EDM: very wide)43- Frequency balance (trap: heavy 50-80Hz; folk/acoustic: balanced midrange)4445#### Sound design46- Pick instruments matching the era/style47- Use the right synth patches (vintage analog vs modern digital)48- Match drum kit character (vinyl sample vs modern punchy)4950#### Effects51- Reverb type (Hall for cinematic; Plate for vocals; Spring for surf-rock; Room for tight modern pop)52- Tape/vinyl saturation (essential for Bonobo, lo-fi, Tame Impala)53- Chorus (Tame Impala, dream pop, '80s)5455### 4. Ask the user to listen and direct5657Don't apply everything blindly. Pick the **3 most distinctive** elements of the reference and propose them first:5859> *"Top 3 Ólafur signatures I'd start with: (1) felt piano via Spitfire Originals or stock Grand Piano with the lid closed setting + tape sat; (2) slow swelling string pad with 2-second attack + reverb send 40%; (3) tempo 70 BPM, minor key, 4/4 but with rubato feel via velocity-driven micro-timing. Apply these first, listen, then iterate?"*6061### 5. Iterate6263After the user listens, refine based on what's still wrong. References are inherently approximate — embrace the iteration loop.6465## Don'ts6667- Don't claim to "exactly clone" anyone's sound. We approximate the recipe.68- Don't download or process copyrighted audio.69- Don't recommend specific sample packs unless they're public (Splice, Output) and the user has them.70- Don't apply more than 3 reference moves before letting the user listen.7172## When the reference is unfamiliar to you7374If you don't know the reference: ask the user to describe what they like about it. ("Is it the drums? The vocal effect? The arrangement?") Then apply the technique that matches their description — you don't need to know the artist to translate "warm, lo-fi, jazzy chords" into action.
glincker