Isometric Metaphor Manuscript Poster
Use the system imagegen skill and image-generation tool. Treat every uploaded photograph as an edit source. Rebuild its subject and meaning rather than generating an unrelated isometric scene.
Output contract
- Produce one independent raster poster for every uploaded photo. Never combine photos into a collage, contact sheet, comparison layout, diptych, or shared canvas.
- Use a 3:4 portrait canvas with one exact horizontal 50/50 division. Keep truthful photography in the upper half and the isometric metaphor study in the lower half. Do not let either medium invade the other.
- Preserve immediate correspondence through the hero's identity, silhouette, posture, orientation, defining structure, principal colors, and narrative relationship.
- Let one source-derived metaphor determine how the hero exists in space. The metaphor must be a compositional mechanism, not an emblem placed beside the subject.
- Return every poster as a separate image. Keep user-facing commentary to one short status sentence only when necessary.
Preserve the photographic upper half
Keep the source recognizably photographic. Preserve subject identity and count, anatomy or construction, proportions, pose, silhouette, direction, spatial relationships, real materials, natural light, and the original color atmosphere.
Apply only restrained art-magazine, independent-publication, or exhibition-photography color correction. Do not redraw, vectorize, beautify, materially relight, or apply isometric forms, manuscript lines, paper texture, or graphic overlays to this region.
Crop deliberately for the upper half. When more area is needed, extend only plausible sky, ground, wall, water, foliage, or environmental background. Never stretch, warp, mirror, duplicate, or redesign the subject.
Distill subject and theme
For each photograph, privately identify:
- the one hero subject or inseparable relationship carrying recognition;
- its defining silhouette, pose, visual center of gravity, direction, axes, major masses, layers, cut planes, and negative spaces;
- three to six identity features that must survive simplification;
- the photograph's central action, structural relationship, tension, or symbolic meaning;
- one geometric theme image that can embody that meaning spatially;
- the most lively source color, supporting hues, and one small accent;
- one concise English title and only the few annotations that support the composition.
Express the theme as a plain proposition: [hero or relationship] + [state/action] + [meaningful tension]. Use it to judge every element. Do not expose this analysis or repeat the user's design brief.
Build the isometric hero
Reconstruct the hero through a coherent set of volumes, levels, cut planes, openings, and spatial relationships aligned to one isometric system. Simplify surface detail into readable masses while preserving the identity features. Adjust view, proportion, or local structure only when it clarifies the source's most representative shape.
Adapt the reconstruction to the subject:
- architecture, interiors, objects, food, and vehicles: use supported volumes, shells, platforms, frames, voids, routes, or component groups;
- people and animals: preserve the complete recognizable body, pose, gesture, and relationship; use simplified volume, layered clothing or surface, movement, and surrounding space rather than dissection or machine parts;
- plants: preserve growth direction, branching, foliage or bloom mass, root or ground relationship, and open gaps;
- landscapes and natural subjects: translate terrain, water, weather, strata, flow, or light into coherent spatial planes.
The result is an editorial abstraction, not a detailed replica. Avoid generic low-poly treatment, miniature architecture pasted onto a platform, technical exploded views, mechanical internals, toy proportions, and arbitrary modules.
Turn one theme into spatial law
Geometrize or symbolize the selected theme as exactly one dominant spatial device. It may become:
- a base or supporting plane;
- a cut, gap, aperture, or shaped void;
- a path, current, orbit, or directional band;
- an enclosing, sheltering, or pressure structure;
- an interlocking, suspended, sliced, offset, or nested relation.
Make the hero cross, fit, float within, be cut by, rest on, emerge from, or align around this device. The device must change placement, balance, scale, depth, or negative space. If removing it would leave the same composition, it is merely decoration and must be redesigned.
Keep one visual center formed jointly by hero and theme. Do not add a second symbolic object, literal icon, decorative badge, or unrelated visual metaphor.
Compose with Eastern quiet
Use clear isometric axes, deliberate block proportion, layered depth, scale contrast, selective cropping, and abundant negative space. Place the hero according to its weight and directional energy; it may be offset, suspended, cropped, or extended rather than automatically centered.
Maintain a stable eye path from the thematic device through the hero to a quiet exit. Use soft, readable shadows only to separate forms. Avoid a stage, plinth, room box, game-map boundary, product cyclorama, or e-commerce display.
Translate a bright Japanese-toned palette
Derive the lower palette from the upper photograph's most lively and identity-bearing colors. Use soft white, cream, or a very pale warm hue as the primary ground. Translate the core source hue into clean, high-key, gentle planes, then use same-family light/dark variations and at most one small source-supported accent to distinguish volume.
Use delicate matte surfaces with soft diffuse reflection. Let light be gentle but directional enough to explain structure. Keep the result bright, transparent-feeling, calm, and spirited.
Avoid muddy gray, fixed pastel palettes, low-value heavy shadows, neon color, candy color, rainbow coding, plastic gloss, metallic effects, dramatic ray tracing, and generic beige minimalism.
Add faint invention studies
Surround the finished isometric system with sparse, low-contrast traces of creative study: contour trials, component sketches, enlarged details, proportion lines, measurement ticks, arrows, geometric derivations, natural-observation drawings, and tiny notes related specifically to the source hero and theme.
Render them in very pale graphite, restrained sepia ink, or faded manuscript tone on the quiet paper. Vary completion: one or two recognizable studies, a few partial lines, and several disappearing traces. Keep them lighter, thinner, smaller, and less saturated than the hero.
These marks should reveal thought in progress and create a contrast between rational finished form and sensitive exploration. They must not become a dense Leonardo pastiche, full engineering sheet, decorative wallpaper, second focal point, or collection of unrelated inventions.
Integrate editorial typography
Derive one concise English title from the subject's identity, action, mood, or metaphor. Add only a few supported place words, state terms, or micro-notes.
Arrange text along an isometric axis, thematic boundary, cut plane, manuscript guide, or shaped negative space. It may run horizontally, vertically, offset, interlocked, or partially hidden while remaining legible. Typography should behave like information embedded in an art publication or design drawing.
Do not use years, issue numbers, invented dimensions, unsupported locations or facts, long explanations, pseudo-language, logos, brands, signatures, or watermarks.
Compile the image-edit prompt
Write one source-specific production prompt per input photo containing:
- one independent 3:4 portrait output and the exact 50% photography / 50% isometric-metaphor split;
- the upper-half preservation invariants, restrained color correction, crop, and any safe background extension;
- the lower hero's identity features, axes, main masses, layers, cut planes, openings, pose, direction, and narrative relationship;
- the theme proposition, its single geometric spatial device, and the exact crossing, fitting, suspension, slicing, support, nesting, or negative-space relation with the hero;
- the hero/theme visual center, scale contrast, placement, depth, crop, shadow, eye path, and quiet-space shape;
- the soft warm ground, exact source-derived high-key color families, tonal variations, small accent, matte material, and gentle light;
- the specific pale contour studies, detail sketches, proportion lines, arrows, geometry, natural observations, and their low visual weight;
- the exact English title and microtext with their axis-, theme-, cut-, guide-, or negative-space-aware placement;
- hard exclusions: no multi-photo layout, no altered or redrawn upper subject, no approximate split, no unrelated 3D model, no low-poly game scene, no engineering exploded diagram, no anatomical or mechanical living form, no decorative metaphor icon, no second focal point, no dense manuscript wallpaper, no fixed pastel palette, no muddy color, no plastic CGI, no e-commerce display, no logo, and no watermark.
Use concrete geometry, interaction, hierarchy, color, and mark-making language rather than relying on adjectives such as “premium,” “Da Vinci,” “Japanese,” or “isometric.”
Inspect and correct
Review every result at full size and thumbnail size. Verify the exact split, truthful upper photography, immediate lower recognition, coherent isometric structure, one meaningful spatial metaphor, one visual center, source-derived high-key palette, matte forms, faint specific studies, restrained typography, and ample quiet space.
If the metaphor looks decorative, make it alter the hero's support, path, cut, enclosure, suspension, or void. If the result looks like a generic model, restore the defining silhouette and source relationship. If manuscript marks compete, remove most and lower their contrast. If it resembles a technical sheet or game scene, simplify boundaries, guides, and environment. If color feels generic, re-anchor it to the upper image's most vital hue. Regenerate with one targeted correction when needed.
1---2name: isometric-metaphor-manuscript-poster3description: Edit each user-supplied photograph into its own 3:4 premium poster with truthful photography above and a source-derived isometric subject organized by one geometric metaphor amid faint Renaissance-style study marks below. Use for airy Japanese-toned editorial reconstructions where theme controls space; do not use for ordinary 3D models, faithful exploded studies, engineering diagrams, game scenes, or multi-photo collages.4---56# Isometric Metaphor Manuscript Poster78Use the system `imagegen` skill and image-generation tool. Treat every uploaded photograph as an edit source. Rebuild its subject and meaning rather than generating an unrelated isometric scene.910## Output contract1112- Produce one independent raster poster for every uploaded photo. Never combine photos into a collage, contact sheet, comparison layout, diptych, or shared canvas.13- Use a 3:4 portrait canvas with one exact horizontal 50/50 division. Keep truthful photography in the upper half and the isometric metaphor study in the lower half. Do not let either medium invade the other.14- Preserve immediate correspondence through the hero's identity, silhouette, posture, orientation, defining structure, principal colors, and narrative relationship.15- Let one source-derived metaphor determine how the hero exists in space. The metaphor must be a compositional mechanism, not an emblem placed beside the subject.16- Return every poster as a separate image. Keep user-facing commentary to one short status sentence only when necessary.1718## Preserve the photographic upper half1920Keep the source recognizably photographic. Preserve subject identity and count, anatomy or construction, proportions, pose, silhouette, direction, spatial relationships, real materials, natural light, and the original color atmosphere.2122Apply only restrained art-magazine, independent-publication, or exhibition-photography color correction. Do not redraw, vectorize, beautify, materially relight, or apply isometric forms, manuscript lines, paper texture, or graphic overlays to this region.2324Crop deliberately for the upper half. When more area is needed, extend only plausible sky, ground, wall, water, foliage, or environmental background. Never stretch, warp, mirror, duplicate, or redesign the subject.2526## Distill subject and theme2728For each photograph, privately identify:29301. the one hero subject or inseparable relationship carrying recognition;312. its defining silhouette, pose, visual center of gravity, direction, axes, major masses, layers, cut planes, and negative spaces;323. three to six identity features that must survive simplification;334. the photograph's central action, structural relationship, tension, or symbolic meaning;345. one geometric theme image that can embody that meaning spatially;356. the most lively source color, supporting hues, and one small accent;367. one concise English title and only the few annotations that support the composition.3738Express the theme as a plain proposition: `[hero or relationship] + [state/action] + [meaningful tension]`. Use it to judge every element. Do not expose this analysis or repeat the user's design brief.3940## Build the isometric hero4142Reconstruct the hero through a coherent set of volumes, levels, cut planes, openings, and spatial relationships aligned to one isometric system. Simplify surface detail into readable masses while preserving the identity features. Adjust view, proportion, or local structure only when it clarifies the source's most representative shape.4344Adapt the reconstruction to the subject:4546- architecture, interiors, objects, food, and vehicles: use supported volumes, shells, platforms, frames, voids, routes, or component groups;47- people and animals: preserve the complete recognizable body, pose, gesture, and relationship; use simplified volume, layered clothing or surface, movement, and surrounding space rather than dissection or machine parts;48- plants: preserve growth direction, branching, foliage or bloom mass, root or ground relationship, and open gaps;49- landscapes and natural subjects: translate terrain, water, weather, strata, flow, or light into coherent spatial planes.5051The result is an editorial abstraction, not a detailed replica. Avoid generic low-poly treatment, miniature architecture pasted onto a platform, technical exploded views, mechanical internals, toy proportions, and arbitrary modules.5253## Turn one theme into spatial law5455Geometrize or symbolize the selected theme as exactly one dominant spatial device. It may become:5657- a base or supporting plane;58- a cut, gap, aperture, or shaped void;59- a path, current, orbit, or directional band;60- an enclosing, sheltering, or pressure structure;61- an interlocking, suspended, sliced, offset, or nested relation.6263Make the hero cross, fit, float within, be cut by, rest on, emerge from, or align around this device. The device must change placement, balance, scale, depth, or negative space. If removing it would leave the same composition, it is merely decoration and must be redesigned.6465Keep one visual center formed jointly by hero and theme. Do not add a second symbolic object, literal icon, decorative badge, or unrelated visual metaphor.6667## Compose with Eastern quiet6869Use clear isometric axes, deliberate block proportion, layered depth, scale contrast, selective cropping, and abundant negative space. Place the hero according to its weight and directional energy; it may be offset, suspended, cropped, or extended rather than automatically centered.7071Maintain a stable eye path from the thematic device through the hero to a quiet exit. Use soft, readable shadows only to separate forms. Avoid a stage, plinth, room box, game-map boundary, product cyclorama, or e-commerce display.7273## Translate a bright Japanese-toned palette7475Derive the lower palette from the upper photograph's most lively and identity-bearing colors. Use soft white, cream, or a very pale warm hue as the primary ground. Translate the core source hue into clean, high-key, gentle planes, then use same-family light/dark variations and at most one small source-supported accent to distinguish volume.7677Use delicate matte surfaces with soft diffuse reflection. Let light be gentle but directional enough to explain structure. Keep the result bright, transparent-feeling, calm, and spirited.7879Avoid muddy gray, fixed pastel palettes, low-value heavy shadows, neon color, candy color, rainbow coding, plastic gloss, metallic effects, dramatic ray tracing, and generic beige minimalism.8081## Add faint invention studies8283Surround the finished isometric system with sparse, low-contrast traces of creative study: contour trials, component sketches, enlarged details, proportion lines, measurement ticks, arrows, geometric derivations, natural-observation drawings, and tiny notes related specifically to the source hero and theme.8485Render them in very pale graphite, restrained sepia ink, or faded manuscript tone on the quiet paper. Vary completion: one or two recognizable studies, a few partial lines, and several disappearing traces. Keep them lighter, thinner, smaller, and less saturated than the hero.8687These marks should reveal thought in progress and create a contrast between rational finished form and sensitive exploration. They must not become a dense Leonardo pastiche, full engineering sheet, decorative wallpaper, second focal point, or collection of unrelated inventions.8889## Integrate editorial typography9091Derive one concise English title from the subject's identity, action, mood, or metaphor. Add only a few supported place words, state terms, or micro-notes.9293Arrange text along an isometric axis, thematic boundary, cut plane, manuscript guide, or shaped negative space. It may run horizontally, vertically, offset, interlocked, or partially hidden while remaining legible. Typography should behave like information embedded in an art publication or design drawing.9495Do not use years, issue numbers, invented dimensions, unsupported locations or facts, long explanations, pseudo-language, logos, brands, signatures, or watermarks.9697## Compile the image-edit prompt9899Write one source-specific production prompt per input photo containing:1001011. one independent 3:4 portrait output and the exact 50% photography / 50% isometric-metaphor split;1022. the upper-half preservation invariants, restrained color correction, crop, and any safe background extension;1033. the lower hero's identity features, axes, main masses, layers, cut planes, openings, pose, direction, and narrative relationship;1044. the theme proposition, its single geometric spatial device, and the exact crossing, fitting, suspension, slicing, support, nesting, or negative-space relation with the hero;1055. the hero/theme visual center, scale contrast, placement, depth, crop, shadow, eye path, and quiet-space shape;1066. the soft warm ground, exact source-derived high-key color families, tonal variations, small accent, matte material, and gentle light;1077. the specific pale contour studies, detail sketches, proportion lines, arrows, geometry, natural observations, and their low visual weight;1088. the exact English title and microtext with their axis-, theme-, cut-, guide-, or negative-space-aware placement;1099. hard exclusions: no multi-photo layout, no altered or redrawn upper subject, no approximate split, no unrelated 3D model, no low-poly game scene, no engineering exploded diagram, no anatomical or mechanical living form, no decorative metaphor icon, no second focal point, no dense manuscript wallpaper, no fixed pastel palette, no muddy color, no plastic CGI, no e-commerce display, no logo, and no watermark.110111Use concrete geometry, interaction, hierarchy, color, and mark-making language rather than relying on adjectives such as “premium,” “Da Vinci,” “Japanese,” or “isometric.”112113## Inspect and correct114115Review every result at full size and thumbnail size. Verify the exact split, truthful upper photography, immediate lower recognition, coherent isometric structure, one meaningful spatial metaphor, one visual center, source-derived high-key palette, matte forms, faint specific studies, restrained typography, and ample quiet space.116117If the metaphor looks decorative, make it alter the hero's support, path, cut, enclosure, suspension, or void. If the result looks like a generic model, restore the defining silhouette and source relationship. If manuscript marks compete, remove most and lower their contrast. If it resembles a technical sheet or game scene, simplify boundaries, guides, and environment. If color feels generic, re-anchor it to the upper image's most vital hue. Regenerate with one targeted correction when needed.
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