Minimal Isometric Paper Model Poster

Minimal Isometric Paper Model Poster

Use the system imagegen skill and image-generation tool. Treat every uploaded photograph as the edit source. Rebuild its most recognizable relationship as a small, carefully placed paper-world model rather than an unrelated miniature scene.

Output contract

• Produce one independent raster poster for every uploaded photo. Never combine photos into a collage, contact sheet, comparison layout, diptych, or shared canvas.
• Use a 3:4 portrait canvas with one exact horizontal 50/50 division. Keep truthful photography in the upper half and the minimal isometric model in the lower half. Do not let either medium invade the other.
• Preserve immediate correspondence through the hero's silhouette, posture, proportion, direction, structural rhythm, key relationship, and source-derived color.
• Keep one clear miniature focal system and abundant quiet paper. Auxiliary elements may support scale or narrative but may not become a second center.
• Render visible wording in English unless the user explicitly requests another language.
• Return every poster as a separate image. Keep user-facing commentary to one short status sentence only when necessary.

Preserve the photographic upper half

Keep the source recognizably photographic. Preserve subject identity and count, anatomy or construction, proportions, pose, silhouette, direction, spatial relationships, real materials, natural light, and the original color atmosphere.

Apply only restrained art-magazine, independent-publication, or exhibition-photography color correction. Do not redraw, vectorize, beautify, materially relight, or apply model forms, paper texture, typography, or graphic overlays to this region.

Crop deliberately for the upper half. When more area is needed, extend only plausible sky, ground, wall, water, foliage, or environmental background. Never stretch, warp, mirror, duplicate, or redesign the subject.

Reduce the source to one small world

Before prompting, privately identify:

1. the one hero subject or inseparable relationship carrying recognition;
2. its decisive silhouette, posture, direction, proportion, openings, overlaps, and major masses;
3. three to six local features that distinguish this exact subject from a generic category;
4. the minimum environment, ground, path, support, shadow, companion, or scale clue required for its narrative;
5. the details that can disappear or merge into broad planes;
6. the visual center of gravity, useful isometric orientation, base shape, and possible edge crop;
7. the upper photograph's most characteristic colors and their area hierarchy;
8. one concise English title and only the few notes that improve the editorial rhythm.

Do not expose this analysis or repeat the user's design brief.

Rebuild with isometric economy

Translate the hero into a coherent isometric system of simple masses, crisp planes, openings, and overlaps. Preserve identity through proportion and structural relation rather than surface detail. Use a consistent axis system and enough top/side/front information to read volume without becoming a technical drawing.

Adapt form to subject:

• buildings and interiors: massing, roof, openings, facade rhythm, circulation, and one support plane;
• people and animals: complete body, characteristic pose, direction, clothing or surface masses, natural balance, and relationship to ground or companion;
• plants: growth direction, branching or foliage mass, rooted contact, and clear gaps;
• objects, food, and vehicles: defining body, functional parts, orientation, and support or motion;
• landscapes and natural scenes: terrain, water, strata, shore, weather, or light reduced to one compact spatial slice.

Do not mechanically reproduce every feature, split the subject into exploded components, add unsupported interiors, or force complex living forms into hard low-poly facets.

Cut and place a restrained base

Seat the model on one small paper plane, cutaway ground, quiet architectural base, or compact landscape slice derived from the source. Use the base to establish contact, scale, horizon, path, isolation, or a narrative relationship.

Let one edge crop, notch, water line, path, shadow, or contour continue through the base when it strengthens direction. Keep its silhouette source-specific rather than defaulting to a square tile, circular plinth, floating island, postcard rectangle, or reusable diorama platform.

Use one to three tiny auxiliary elements at most: a person, plant, cloud, light, bench, sign, bird, ripple, vehicle, or another source-supported clue. Keep them visually subordinate and grouped into the same focal system.

Maintain a large ratio of blank paper around the model. Use scale contrast, selective cropping, a short soft shadow, and sparse detail to create quiet, distance, and a slight sense of solitude. Avoid dense scenery, background architecture, crowds, decorative props, and a complete game-map environment.

Use ink, flat planes, and paper grain

Render the model with fine controlled ink lines, flat matte color planes, subtle same-family value shifts, restrained edge variation, and light paper grain. Use soft broad light and a slight short shadow to place the object on the page.

Keep volumes readable but visually light. Avoid hard ray-traced lighting, thick outlines, glossy plastic, resin, clay toy texture, folded origami seams, layered paper-cut shadows, foam board edges, thick craft construction, gradients, bevel-heavy 3D, or photorealistic miniature photography.

The result should sit between editorial illustration, architectural maquette, and paper landscape—not literal paper craft.

Derive a limited source palette

Extract the upper photo's most recognizable, character-bearing colors. Simplify, purify, soften, and unify them into a limited palette while preserving the source's warm/cool relation and emotional character.

Use one principal source family, same-family light/dark planes, one or two neighboring source hues, and at most one small accent. Assign color by structural role so adjoining volumes remain legible.

Choose a clean light paper ground that supports the palette. Keep color calm, soft, restrained, and clear. Avoid fixed pastel schemes, unrelated beige minimalism, muddy gray, high-saturation clashes, neon accents, candy color, rainbow coding, or colors absent from the source.

Integrate quiet English typography

Derive one concise English title from the source's theme, supported location, action, state, or feeling. Add only a few numbers, short phrases, or micro-annotations when they improve rhythm.

Arrange type along a paper edge, model base, horizontal axis, isometric direction, or a genuine gap. Keep it slender, modern, precise, and subordinate. It may align or lightly nest with the model but should not appear as a large conventional headline.

Do not invent locations, dates, coordinates, issue numbers, facts, logos, brands, signatures, pseudo-language, or watermarks.

Compile the image-edit prompt

Write one source-specific production prompt per input photo containing:

1. one independent 3:4 portrait output and the exact 50% photography / 50% isometric-model split;
2. the upper-half preservation invariants, restrained color correction, crop, and any safe background extension;
3. the lower hero, relationship, silhouette, posture, direction, proportion, major masses, openings, and three to six defining features;
4. the chosen isometric axes, simplified planes, merged or deleted detail, volume hierarchy, and avoidance of unsupported structure;
5. the exact source-derived base, contact relation, silhouette, edge crop or continuation, center of gravity, and scale role;
6. the zero-to-three auxiliary elements and the specific narrative or scale function of each;
7. the blank-space ratio, placement, short shadow, visual entry, focal hold, and quiet exit;
8. the fine ink, flat matte planes, paper grain, exact limited source palette, structural color assignments, and light ground;
9. the exact short English title and microtext with their edge-, base-, axis-, isometric-, or gap-aware placement;
10. hard exclusions: no multi-photo layout, no altered or redrawn upper subject, no approximate split, no literal detailed copy, no technical exploded view, no generic tile or plinth, no dense scene, no second focal point, no low-poly game asset, no layered paper craft, no plastic CGI, no toy model, no heavy shadow, no fixed palette, no e-commerce display, no logo, and no watermark.

Use concrete mass, axis, base, scale, color, line, and spacing language rather than relying on adjectives such as “premium,” “minimal,” “poetic,” or “isometric.”

Inspect and correct

Review every result at full size and thumbnail size. Verify the exact split, truthful upper photography, immediate lower recognition, coherent isometric massing, source-specific base, sparse scale clues, one focal system, large quiet paper, limited source palette, fine ink, matte planes, short shadow, and restrained English type.

If it resembles a generic architecture model, restore the source's defining silhouette, posture, and local features. If the base feels templated, derive its shape from the actual ground, path, water, shadow, or contour. If the scene becomes crowded, remove auxiliaries and restore blank space. If it looks like plastic CGI or a toy, flatten gloss, reduce shadow, simplify material, and strengthen paper grain. If color feels generic, re-anchor each hue to the upper photo. Regenerate with one targeted correction when needed.