Photo Sketch Memory Page
Use the system imagegen skill and image-generation tool. This is an edit of the supplied photograph, not a brand-new unrelated illustration.
Output contract
- Treat every uploaded photograph as a separate target and return one independent raster page per photo. Never combine multiple photos into a collage, contact sheet, diptych, or shared canvas.
- Use a 3:4 portrait art-book page with a vertical, visibly connected upper/lower composition.
- Preserve the original subject or subjects, count, pose, facial expression, clothing, composition, spatial relationships, proportions, and emotional atmosphere. Extend only safe background areas when needed; never stretch, warp, redesign, or replace the people.
- Keep the upper section photographic and cinematic: soft natural light, subtle film grain, shallow depth of field, truthful colors, intimate candid feeling, and realistic anatomy. It should still read as a real photograph at thumbnail size.
- Rebuild the exact same scene and people in the lower section on warm ivory textured paper as a loose black-and-white hand-drawn ink illustration. Preserve recognizable gesture, silhouette, expression, clothing landmarks, and scene relationship, but use an edited sketch rather than a mechanically literal trace.
- Make the transition between photo and drawing coherent through a gentle continuation, overlap, fading, or shared contour. Avoid a sterile hard split unless the source composition clearly benefits from one.
Lower drawing language
- Use expressive imperfect ink lines, searching contours, occasional doubled strokes, rough cross-hatching, sparse shadow masses, uneven ink density, and a handmade sketchbook character.
- Keep the drawing monochrome black, charcoal, and soft gray against warm cream paper. Use minimal shading and preserve generous untouched paper; do not turn the lower half into a dense rendering.
- Maintain natural human anatomy and believable perspective. Keep the hero subject and defining action clear while allowing secondary details to dissolve into selective marks.
- Add subtle paper fibers, restrained ink-print irregularity, and a tactile art-book surface. The finish should feel refined but slightly imperfect, never like vector line art, polished comic art, anime, or a digital filter.
Editorial layout and text
- Surround or interleave the lower illustration with quiet, high-end editorial typography while preserving substantial cream-colored negative space.
- Include a small numbered title, one short poetic handwritten-style caption, and tiny documentary-style notes only when they can be kept legible, sparse, and subordinate to the image. Keep the wording brief and image-appropriate; do not create a loud poster headline or information panel.
- Use an understated retro-modern layout inspired by a contemporary photography magazine or Japanese visual diary: asymmetry, fine margins, restrained type scale, quiet alignment, and delicate hierarchy.
- Keep text away from faces and important gestures. If generated lettering becomes garbled or dominant, reduce it to minimal abstract editorial marks or remove it while preserving the page design.
Prompt compilation and review
Before generation, privately identify the source's hero subject, pose and expression, clothing landmarks, defining scene relationship, safe background extension, paper temperature, transition path, and the minimum useful text. Compile those decisions into a direct image-editing prompt without quoting or displaying this instruction.
Inspect each result at full size and thumbnail size. If the top looks filtered, restore photographic texture and candid realism. If the lower half no longer matches the source, restore the same people, pose, expression, clothing, and composition. If the sketch is too polished or busy, simplify marks, reduce cross-hatching, and recover cream paper. If the page becomes a generic poster, quiet the typography and increase editorial negative space. Regenerate with one targeted correction when needed.
Hard exclusions: no multi-photo canvas, no source-photo montage, no unrelated scene changes, no distorted faces or anatomy, no colorful lower illustration, no full lower-half photorealism, no dense black fill, no vector-clean outlines, no cartoon/anime styling, no 3D rendering, no glossy gradients, no commercial template, no logos, no watermark.
Return all independent edited images with no promotional copy.
1---2name: photo-sketch-memory-page3description: Edit each user-supplied photograph into an individual 3:4 nostalgic editorial art-book page with a cinematic real-photo upper half and the same scene rebuilt below as a warm paper black-and-white ink sketch. Use for photo-to-sketch memory pages, visual diaries, and contemporary photography-magazine treatments; do not use for multi-photo collages, generic filters, or unrelated new illustrations.4---56# Photo Sketch Memory Page78Use the system `imagegen` skill and image-generation tool. This is an edit of the supplied photograph, not a brand-new unrelated illustration.910## Output contract1112- Treat every uploaded photograph as a separate target and return one independent raster page per photo. Never combine multiple photos into a collage, contact sheet, diptych, or shared canvas.13- Use a 3:4 portrait art-book page with a vertical, visibly connected upper/lower composition.14- Preserve the original subject or subjects, count, pose, facial expression, clothing, composition, spatial relationships, proportions, and emotional atmosphere. Extend only safe background areas when needed; never stretch, warp, redesign, or replace the people.15- Keep the upper section photographic and cinematic: soft natural light, subtle film grain, shallow depth of field, truthful colors, intimate candid feeling, and realistic anatomy. It should still read as a real photograph at thumbnail size.16- Rebuild the exact same scene and people in the lower section on warm ivory textured paper as a loose black-and-white hand-drawn ink illustration. Preserve recognizable gesture, silhouette, expression, clothing landmarks, and scene relationship, but use an edited sketch rather than a mechanically literal trace.17- Make the transition between photo and drawing coherent through a gentle continuation, overlap, fading, or shared contour. Avoid a sterile hard split unless the source composition clearly benefits from one.1819## Lower drawing language2021- Use expressive imperfect ink lines, searching contours, occasional doubled strokes, rough cross-hatching, sparse shadow masses, uneven ink density, and a handmade sketchbook character.22- Keep the drawing monochrome black, charcoal, and soft gray against warm cream paper. Use minimal shading and preserve generous untouched paper; do not turn the lower half into a dense rendering.23- Maintain natural human anatomy and believable perspective. Keep the hero subject and defining action clear while allowing secondary details to dissolve into selective marks.24- Add subtle paper fibers, restrained ink-print irregularity, and a tactile art-book surface. The finish should feel refined but slightly imperfect, never like vector line art, polished comic art, anime, or a digital filter.2526## Editorial layout and text2728- Surround or interleave the lower illustration with quiet, high-end editorial typography while preserving substantial cream-colored negative space.29- Include a small numbered title, one short poetic handwritten-style caption, and tiny documentary-style notes only when they can be kept legible, sparse, and subordinate to the image. Keep the wording brief and image-appropriate; do not create a loud poster headline or information panel.30- Use an understated retro-modern layout inspired by a contemporary photography magazine or Japanese visual diary: asymmetry, fine margins, restrained type scale, quiet alignment, and delicate hierarchy.31- Keep text away from faces and important gestures. If generated lettering becomes garbled or dominant, reduce it to minimal abstract editorial marks or remove it while preserving the page design.3233## Prompt compilation and review3435Before generation, privately identify the source's hero subject, pose and expression, clothing landmarks, defining scene relationship, safe background extension, paper temperature, transition path, and the minimum useful text. Compile those decisions into a direct image-editing prompt without quoting or displaying this instruction.3637Inspect each result at full size and thumbnail size. If the top looks filtered, restore photographic texture and candid realism. If the lower half no longer matches the source, restore the same people, pose, expression, clothing, and composition. If the sketch is too polished or busy, simplify marks, reduce cross-hatching, and recover cream paper. If the page becomes a generic poster, quiet the typography and increase editorial negative space. Regenerate with one targeted correction when needed.3839Hard exclusions: no multi-photo canvas, no source-photo montage, no unrelated scene changes, no distorted faces or anatomy, no colorful lower illustration, no full lower-half photorealism, no dense black fill, no vector-clean outlines, no cartoon/anime styling, no 3D rendering, no glossy gradients, no commercial template, no logos, no watermark.4041Return all independent edited images with no promotional copy.
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