Surreal Dynamic Field Print Poster

Surreal Dynamic Field Print Poster

Use the system imagegen skill and image-generation tool. Treat each uploaded photograph as the edit source. Compress the lower hero to a small visual anchor and let one motion law make the surrounding blank space perceptible.

Output contract

• Produce one independent raster poster for every uploaded photo. Never combine photos into a collage, contact sheet, comparison layout, diptych, or shared canvas.
• Use a 3:4 portrait canvas with one exact horizontal 50/50 division. Keep truthful photography in the upper half and the dynamic-field print in the lower half. Do not let either medium invade the other.
• Preserve immediate correspondence through the small hero's silhouette, posture, proportion, direction, and key relationship.
• Use one subject, exactly one primary motion logic, one vast space relation, and two to three active colors including paper and black.
• Render visible wording in English unless the user explicitly requests another language.
• Return every poster as a separate image. Keep user-facing commentary to one short status sentence only when necessary.

Preserve the photographic upper half

Keep the source recognizably photographic. Preserve subject identity and count, anatomy or construction, proportions, pose, silhouette, direction, spatial relationships, real materials, natural light, and the original color atmosphere.

Apply only restrained art-magazine, independent-publication, or exhibition-photography color correction. Do not redraw, vectorize, beautify, materially relight, or apply particles, trajectories, typography, or graphic overlays to this region.

Crop deliberately for the upper half. When more area is needed, extend only plausible sky, ground, wall, water, foliage, or environmental background. Never stretch, warp, mirror, duplicate, or redesign the subject.

Extract the anchor and force

Before prompting, privately identify:

1. the one hero subject or inseparable relationship carrying recognition;
2. its decisive silhouette, posture, proportion, direction, and three to six identity cues;
3. the source's strongest action, force, light direction, spatial interval, emotional pressure, or implied movement;
4. the point, axis, edge, or region where the motion field should be strongest;
5. the direction in which intensity should decay and blank paper should take over;
6. the upper photograph's single most spirited and recognizable hue;
7. the lower hero's small scale, placement, horizon/support line, and required relationship to the field;
8. one extremely short English title and two to four groups of supported experimental microtext.

Do not expose this analysis or repeat the user's design brief.

Choose exactly one motion law

Select the mode that best matches the source:

• descent: vertical lines, broken drops, falling particles, or gravity density moving from above to below;
• ascent: rising strands, lifted fragments, vapor-like marks, growth lines, or upward thinning;
• directional flow: parallel or bending trajectories moving left, right, diagonal, along a road, current, gaze, wind, or travel axis;
• radial expansion: lines, dots, fragments, or ink pressure spreading outward from the hero or one source event;
• irregular ripple/echo: uneven rings, broken contours, offset waves, or spatial reverberations around contact, sound, reflection, waiting, or memory.

Use only one as the dominant rule. Minor local variation may support it but may not become a second effect. Do not combine falling rain, radial burst, waves, smoke, and speed lines in one design.

State how the chosen law translates the source action or emotion. If the force has no source evidence, choose a quieter field or reduce its intensity.

Keep the subject small but exact

Place the hero at a small scale relative to the lower paper, often occupying roughly 4–16% of its area by visual weight. Preserve the decisive contour, pose, orientation, and one or two local details needed for identity.

Use a single dark or principal-color silhouette with limited internal lines, cut planes, or small openings. Include only the support line, ground, shadow, companion, path, or environment cue required to preserve relationship and scale.

The hero may sit near a horizon, at an offset point, beneath a field, inside a current, or at the origin of an echo. It must not become a large central portrait, detailed illustration, repeated figure, or decorative icon.

Construct density, not gradient

Build the motion field with fine lines, broken trajectories, rough halftone, screen dots, speckles, ink fragments, and changes in mark density.

Near the force origin or hero, make marks denser, longer, darker, or more overprinted. Across distance, reduce their number, continuity, size, ink coverage, and contrast until they break apart and disappear into paper.

Use paper show-through and overprint to create depth. Let paths curve, bend, interrupt, or disperse according to the selected law. Preserve large untouched regions around and beyond the field.

Do not use an ordinary opacity gradient, soft digital blur, airbrush fade, lens glow, volumetric light, realistic smoke, particle simulation, motion-blur filter, or uniform noise texture.

Compose one enormous spatial relation

Use extreme scale contrast between small hero and large blank paper. Establish one clear relationship: subject beneath a descent, moving through a current, rising against gravity, standing at an expansion origin, or receiving an echo.

Place the anchor and field asymmetrically according to direction. Shape blank space as distance, isolation, mystery, anticipation, silence, or afterimage. Keep one center of gravity and one eye path from space to field to hero or from hero into disappearance.

Avoid multiple focal points, full-page effects, centered explosion templates, dense scenery, repeated motifs, decorative borders, equal density throughout, and auxiliary objects that compete with the anchor.

Present the result as a flat experimental print. Do not add a frame, wall, desk, book mockup, gallery installation, product card, or commercial campaign setting.

Build a strict 2–3 color system

Select one principal hue from the upper photograph with the most identity and life. Gently purify and strengthen it. Combine it with warm white, ivory, or natural paper and optionally a small amount of black or near-black.

Use paper as the largest area, the principal color for the field or hero, and black only for structure, type, or concentrated force. If black is unnecessary, use the principal hue in darker overprint instead.

Create tonal variation through dot density, ink overlap, broken coverage, and paper exposure—not added colors or gradients.

Keep the result vivid but physical. Avoid more than three colors, rainbow particles, neon, muddy aging, full gray scale, digital glow, metallic inks, complex transparency, and unrelated accent hues.

Render rough physical print

Use screenprint and Risograph character: coarse grain, visible paper fibers, dry or uneven ink coverage, broken edges, dot patterns, small registration drift, and localized overprinting.

Keep the hero silhouette and key trajectories controlled enough for recognition. Let texture vary with force intensity rather than cover the page uniformly.

Avoid smooth vector lines, clean digital particles, photorealistic effects, glossy surfaces, 3D volume, deep shadows, torn-paper collage, watercolor wash, heavy vintage distress, and noise applied equally to blank paper.

Integrate experimental English microtype

Derive one extremely short English title from the source's action, distance, state, emotion, or metaphor. Add two to four microtext groups selected from supported content: a phrase, state word, place/object descriptor, sequence label, coordinate-like composition number, direction word, archival tag, or observation note.

Do not invent locations, coordinates, sequences, archive facts, measurements, or classifications. Abstract numbers may appear only as clearly non-factual compositional notation. Do not use years.

Arrange type along the horizon, motion trajectory, hero axis, or blank-space edge. It may run vertically, rotate, open its tracking, enter the grain field, or be lightly crossed by lines while remaining legible.

Keep type small and spatial. Avoid a conventional headline, dense copy, commercial slogans, UI data panels, logos, brands, signatures, pseudo-language, or watermarks.

Compile the image-edit prompt

Write one source-specific production prompt per input photo containing:

1. one independent 3:4 portrait output and the exact 50% photography / 50% dynamic-field split;
2. the upper-half preservation invariants, restrained color correction, crop, and any safe background extension;
3. the small lower hero, relationship, silhouette, posture, proportion, direction, three to six identity cues, and support clue;
4. the exact descent, ascent, directional flow, radial expansion, or irregular ripple law and the source evidence supporting it;
5. the force origin, strongest density zone, trajectory, decay direction, mark types, overprint, fragmentation, and disappearance into paper;
6. the hero scale, placement, field-to-hero relation, center of gravity, extreme blank-space ratio, entry, focal hold, and exit;
7. the exact principal source hue, paper color, optional black, area assignments, and density-based tonal system;
8. the screenprint/Risograph grain, fibers, uneven ink, dots, registration drift, broken coverage, and controlled critical edges;
9. the exact English title and two-to-four microtext groups with their factual support and horizon-, trajectory-, axis-, field-, rotation-, or edge-aware placement;
10. hard exclusions: no multi-photo layout, no altered or redrawn upper subject, no approximate split, no large detailed hero, no multiple motion effects, no full-page particle field, no opacity gradient, no blur, no glow, no realistic light, no more than three colors, no smooth digital illustration, no 3D, no commercial poster layout, no year, no false coordinates/data, no logo, and no watermark.

Use concrete motion law, density, decay, scale, paper, ink, and spatial relation rather than relying on adjectives such as “premium,” “surreal,” “poetic,” or “mysterious.”

Inspect and correct

Review every result at full size and thumbnail size. Verify the exact split, truthful upper photography, recognizable small hero, exactly one motion law, strong-to-weak density decay, true paper disappearance, extreme scale contrast, source-derived 2–3 colors, physical print texture, large untouched space, and integrated English microtype.

If several effects compete, delete all but the source's strongest motion law. If the field looks like a gradient, replace opacity fade with fewer, shorter, more broken marks. If the hero becomes too small to recognize, restore its silhouette and one decisive detail without increasing complexity. If the field fills the page, shorten its reach and restore untouched paper. If the result feels commercial, reduce title size, remove modules, and enlarge quiet space. Regenerate with one targeted correction when needed.