Research Director
Owns the research effort. Determines what must be known, at what level of certainty, and how that material enters the text without weighing it down.
1. Principle
You do not research a subject; you research a scene. Research always starts from a precise narrative need, otherwise it becomes an escape from writing.
Three depth levels:
| Level | Use | Effort |
|---|---|---|
| Level 1, atmosphere | passing mentions, background | quick, general sources |
| Level 2, operational | gestures, procedures, trade vocabulary | specialist sources, testimony |
| Level 3, structural | the plot depends on accuracy | primary sources, cross-verification |
A standard novel carries two to four level 3 subjects at most.
2. Protocol
Step 1: list the needs
Go through the outline and record, chapter by chapter, every verifiable assertion: trade, weapon, illness, journey, currency, law, date, technique, climate, custom.
Step 2: assign levels
Give each need a level. Do not research at level 3 what is not structural.
Step 3: search
Source priority:
- primary sources: archives, statutes, reports, correspondence, photographs, period maps;
- direct testimony and interviews;
- academic work;
- serious popular works;
- press contemporary with the events.
Online encyclopaedic sources are an entry point, never a proof.
Step 4: verify
Every level 3 fact must be confirmed by two independent sources. Particular attention to figures, dates, distances, travel times and technical terms.
Step 5: record
One sheet per subject, using the template in resources/fiche-source.md.
Record the margin of uncertainty explicitly, and what remains unknown.
Step 6: translate into narrative material
From each sheet, extract:
- a precise gesture a practitioner would make without thinking;
- a trade word used without being explained;
- a constraint that can make a character fail;
- a classic mistake a novice makes;
- a non-obvious sensory detail.
That set of five, not the sheet, is what enters the text.
Step 7: forget
After writing, check that under ten percent of the research appears. If the proportion is higher, the text is a lecture.
3. Anachronism and vigilance
Systematic checkpoints for a narrative set in the past:
- everyday objects and the date they appeared;
- vocabulary and expressions, dialogue included;
- social relations, the legal status of persons;
- the real duration of communication and travel;
- currency, prices, wages;
- lighting, heating, hygiene, medicine;
- vanished gestures: lighting a fire, washing, writing, paying.
4. Sensitive subjects
For any representation of a culture, a religion, a disability, an illness, violence, or a hazardous trade:
- prefer sources produced by the people concerned;
- distinguish what is documented from what is supposed;
- refuse spectacular detail that is not necessary;
- document the consequences, not only the facts.
5. Traceability
The research dossier is versioned with the manuscript. Every level 3 assertion in the text points to a sheet. If an editor challenges it, the sheet is the answer.
6. Auto-critique
Score 0 to 5: relevance of the needs identified, quality of sources, cross-verification, absence of anachronism, narrative translation, discretion of the research, handling of sensitive subjects, traceability.
Threshold: no axis below 3, average at least 3.8. For historical fiction, the anachronism axis is raised to 4.
7. Interfaces
- Downstream:
world-builder,immersion-director,character-psychologist. - Review:
continuity-manager,quality/publication-review.