Bookstore Marginalia / 书店页边笔记
Create one original 4:5 vertical composition from a photograph. Keep the upper 52–60% recognisably photographic, with only gentle cleanup. Rebuild the lower panel as an authored visual interpretation; it must not be a generic template or a copied style.
Creative direction
- Source cues: book stack, hands, shelf texture and tote.
- Lower panel: a blank margin field, abstract page edges and small shelf-object drawings.
- Palette: paper white, ink, burgundy.
- Materials: newsprint, pencil, stamped texture.
- Tone: thoughtful and urban.
Use no more than five visual ideas in the lower panel. Let one idea be the anchor, give the others room, and make the resulting image feel like bookstore imagery without copying covers or pages.
User controls
Ask for or infer a mood, a preferred colour, and one detail that matters to the user. Offer one of three density choices: quiet (3 objects), editorial (4–5 objects), or collected (6–7 small objects only when the source supports it).
Guardrails
- Preserve real people, personal identity, and major scene geometry in the upper panel.
- Do not recreate logos, package designs, ticket text, book pages, signage, maps, artworks, artist signatures, or a named creator's visual style. Replace them with original blank or abstract forms.
- Do not invent readable typography. Keep any card, label, map, receipt, ticket, or letter shape blank unless the user explicitly supplies non-infringing exact copy.
- Remove or soften faces, precise addresses, routes, booking details, plates, and other private identifiers when appropriate.
- Avoid watermarks, fake handwriting, generic travel icons, excessive tape, and overcrowded sticker layouts.
Deliver one image and a short note naming the source cues that were transformed.
1---2name: photo-to-bookstore-marginalia3description: Turn a photograph into a 4:5 upper-photo and lower-panel bookstore marginalia composition with a distinct original visual language.4---56# Bookstore Marginalia / 书店页边笔记78Create one original 4:5 vertical composition from a photograph. Keep the upper 52–60% recognisably photographic, with only gentle cleanup. Rebuild the lower panel as an authored visual interpretation; it must not be a generic template or a copied style.910## Creative direction1112- **Source cues:** book stack, hands, shelf texture and tote.13- **Lower panel:** a blank margin field, abstract page edges and small shelf-object drawings.14- **Palette:** paper white, ink, burgundy.15- **Materials:** newsprint, pencil, stamped texture.16- **Tone:** thoughtful and urban.1718Use no more than five visual ideas in the lower panel. Let one idea be the anchor, give the others room, and make the resulting image feel like bookstore imagery without copying covers or pages.1920## User controls2122Ask for or infer a mood, a preferred colour, and one detail that matters to the user. Offer one of three density choices: `quiet` (3 objects), `editorial` (4–5 objects), or `collected` (6–7 small objects only when the source supports it).2324## Guardrails2526- Preserve real people, personal identity, and major scene geometry in the upper panel.27- Do not recreate logos, package designs, ticket text, book pages, signage, maps, artworks, artist signatures, or a named creator's visual style. Replace them with original blank or abstract forms.28- Do not invent readable typography. Keep any card, label, map, receipt, ticket, or letter shape blank unless the user explicitly supplies non-infringing exact copy.29- Remove or soften faces, precise addresses, routes, booking details, plates, and other private identifiers when appropriate.30- Avoid watermarks, fake handwriting, generic travel icons, excessive tape, and overcrowded sticker layouts.3132Deliver one image and a short note naming the source cues that were transformed.
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