Citywalk Map Poem / 城市漫游地图诗
Create one original 4:5 vertical composition from a photograph. Keep the upper 52–60% recognisably photographic, with only gentle cleanup. Rebuild the lower panel as an authored visual interpretation; it must not be a generic template or a copied style.
Creative direction
- Source cues: street corner, pavement, architecture and a small stop.
- Lower panel: an original simplified route trace, three place-texture studies and a blank caption tile.
- Palette: stone, brick, faded blue.
- Materials: tracing paper, pencil, map line.
- Tone: curious and observant.
Use no more than five visual ideas in the lower panel. Let one idea be the anchor, give the others room, and make the resulting image feel like a citywalk post that centres feeling, not a real route.
User controls
Ask for or infer a mood, a preferred colour, and one detail that matters to the user. Offer one of three density choices: quiet (3 objects), editorial (4–5 objects), or collected (6–7 small objects only when the source supports it).
Guardrails
- Preserve real people, personal identity, and major scene geometry in the upper panel.
- Do not recreate logos, package designs, ticket text, book pages, signage, maps, artworks, artist signatures, or a named creator's visual style. Replace them with original blank or abstract forms.
- Do not invent readable typography. Keep any card, label, map, receipt, ticket, or letter shape blank unless the user explicitly supplies non-infringing exact copy.
- Remove or soften faces, precise addresses, routes, booking details, plates, and other private identifiers when appropriate.
- Avoid watermarks, fake handwriting, generic travel icons, excessive tape, and overcrowded sticker layouts.
Deliver one image and a short note naming the source cues that were transformed.
1---2name: photo-to-citywalk-map-poem3description: Turn a photograph into a 4:5 upper-photo and lower-panel citywalk map poem composition with a distinct original visual language.4---56# Citywalk Map Poem / 城市漫游地图诗78Create one original 4:5 vertical composition from a photograph. Keep the upper 52–60% recognisably photographic, with only gentle cleanup. Rebuild the lower panel as an authored visual interpretation; it must not be a generic template or a copied style.910## Creative direction1112- **Source cues:** street corner, pavement, architecture and a small stop.13- **Lower panel:** an original simplified route trace, three place-texture studies and a blank caption tile.14- **Palette:** stone, brick, faded blue.15- **Materials:** tracing paper, pencil, map line.16- **Tone:** curious and observant.1718Use no more than five visual ideas in the lower panel. Let one idea be the anchor, give the others room, and make the resulting image feel like a citywalk post that centres feeling, not a real route.1920## User controls2122Ask for or infer a mood, a preferred colour, and one detail that matters to the user. Offer one of three density choices: `quiet` (3 objects), `editorial` (4–5 objects), or `collected` (6–7 small objects only when the source supports it).2324## Guardrails2526- Preserve real people, personal identity, and major scene geometry in the upper panel.27- Do not recreate logos, package designs, ticket text, book pages, signage, maps, artworks, artist signatures, or a named creator's visual style. Replace them with original blank or abstract forms.28- Do not invent readable typography. Keep any card, label, map, receipt, ticket, or letter shape blank unless the user explicitly supplies non-infringing exact copy.29- Remove or soften faces, precise addresses, routes, booking details, plates, and other private identifiers when appropriate.30- Avoid watermarks, fake handwriting, generic travel icons, excessive tape, and overcrowded sticker layouts.3132Deliver one image and a short note naming the source cues that were transformed.
Jack-chen-cyber