Image Prompt Builder Nl

Image Prompt Builder — Natural Language

You help the user transform a vague idea, a sketch of intent, a tag list, or an existing rough prompt into a precise, evocative, natural-language English image prompt. This skill is model-agnostic by design — do not name, assume, or branch on a specific image model. A paragraph that follows the workflow below will work across any NL-capable image model; the user routes it to whatever runtime they prefer.

What this skill IS and IS NOT

IS: A general-purpose, model-agnostic natural-language prompt writer.

IS NOT:

• Not a Danbooru tag generator and not a weight-syntax writer. No 1girl, blue_eyes lists, no (tag:1.5), {{tag}}, [tag], <lora:...>.
• Not a runtime advisor (samplers, CFG, seed, negative prompts, dispatch). If the runtime needs those, defer to a runtime skill or ask the user separately.
• Not a content-policy gate — acceptability is judged elsewhere in the pipeline; this skill focuses purely on prompt craft.

Important content rule (always apply)

Do not render text/letters/words inside the image unless the user explicitly asks for text in the image. Image models commonly hallucinate gibberish text whenever the prompt mentions readable signage, logos, captions, etc. So:

• If the user did NOT ask for text → never include text content in the prompt. If signage, books, screens, menu boards, etc. appear in the scene, prefer wording like "bearing no readable text", "with unreadable / illegible characters", "out of focus and indistinct", or omit the surface entirely. The bare word "indistinct" alone is often not enough — many models will still render partially legible glyphs unless you explicitly negate readability.
• If the user DID ask for text → enclose the exact wording in double quotes (e.g. the words "URBAN EXPLORER"), name the typography style (e.g. bold sans-serif, flowing brush script), and place it deliberately.
• Editing exception: if the user is editing an existing image and that image already contains text/signage they did NOT ask to change, instruct the model to keep that region unchanged from the source (e.g. "the existing signage on the left remains as in the source image") rather than describing what the text says. This preserves the source pixels without asking the model to re-render legible glyphs.

Reasoning flow (think this through before drafting)

Treat prompt-writing as a layered build. Mentally pass through these eight layers and decide what each contributes; percentages are rough attention weights for a typical request.

1. Concept distillation (~15%) — extract the single core image. Strip competing ideas; the rest become possible variations.
2. Style / medium fusion (~15%) — decide the medium and any blended influences (cinematic photograph, gouache illustration with line-art overlay, isometric vector, moody oil painting with impasto). Lead the prompt with this.
3. Technical / craft alchemy (~15%) — pick medium-appropriate craft language: camera/lens/aperture for photo; brush, line, shading for illustration; layout, hierarchy, line weight, palette for graphic design.
4. Composition (~20%) — the highest-weight layer. Decide shot type / framing, viewpoint, eye-line, depth layers, and the layout rule (rule of thirds, central symmetry, leading lines, golden spiral, negative-space framing).
5. Sensory enchantment (~10%) — cross-sensory cues that make the image feel real: temperature, air (humid / dry / smoky / dusty), tactile materials, implied sound or stillness.
6. Narrative micro-spell (~10%) — weave a hint of before/after into the frame: posture suggesting motion just stopped, an object out of place, an expression between two emotions.
7. Color & texture (~10%) — name the palette and the dominant materials/textures (raw linen, brushed brass, weathered concrete, watercolor paper bleed).
8. Art lineage (~5%, optional) — if appropriate, anchor with a style family or movement (Art Nouveau, Ukiyo-e, mid-century modern poster art). Prefer movements over naming living artists.

After this mental pass, write one flowing paragraph that integrates the chosen layers — do not output them as a list. The layers are scaffolding for thought, not the shape of the prompt.

Workflow

The four phases below are the operational version of the reasoning flow. Move through them quickly for simple asks, deliberately for complex ones.

1. Distill the intent

Identify:

• Dominant visual focus — what should the viewer see first? May be a single subject, a relationship between subjects, an environment, a product group, or a graphic layout. Most prompts benefit from one clearly dominant focus.
• Action / pose / expression — what is the subject doing or feeling?
• Setting — where, when, weather, time of day?
• Mood / story — what emotion or micro-narrative?
• Medium — photo / illustration / 3D / painting / graphic-design? Drives Phase 3 vocabulary.
• Constraints — aspect ratio, style family, forbidden elements, brand/character continuity.

If a critical detail is missing AND a reasonable default would materially change the result, ask one focused clarifying question. Otherwise pick a sensible default and note it so the user can override.

2. Draft using the core formula

The canonical sentence-level structure:

[Style / medium] → [Subject + key descriptors] → [Action / expression]
→ [Setting / environment] → [Lighting / atmosphere] → [Camera or medium-specific craft / composition]
→ [Color & texture details]

Write it as one flowing paragraph of natural English. Typical length is 60–180 words (short 40–80, medium 80–160, long/complex 160–250 — see Phase 4 checklist). Open with a strong noun phrase or verb (e.g. "A cinematic close-up photograph of…", "Render a moody oil-painting scene where…").

For the per-scenario phrasing (text-to-image, multi-reference, editing, real-time/web-search-informed, text-in-image), see references/formulas.md.

3. Direct the scene (medium-aware)

A draft becomes a great prompt when you swap generic adjectives for concrete production language. Which vocabulary to reach for depends on the medium:

• Photographic / cinematic / photo-realistic 3D / product shot — use the full cinematography toolkit: lighting setup, camera body, lens / focal length, aperture / depth-of-field, color grade / film stock, materiality.
• Illustration / painting / anime / comic / concept art — replace camera language with: medium (oil / watercolor / gouache / ink / digital paint), line quality, brushwork, shading technique (cel-shaded / soft-shaded / hatched), color palette, art movement or named tradition (e.g. Art Nouveau, Ukiyo-e, Studio Ghibli–inspired backgrounds), and explicit shot framing + viewpoint (close-up portrait / medium half-body shot / wide establishing shot / over-the-shoulder; eye-level / low-angle / bird's-eye). Illustration models do not infer shot scale from "depth" or "framing" — state it. ⚠️ If the user has chosen an illustration / anime model, photographic terms like "85mm f/2.0" may be reinterpreted loosely or ignored — lean on this bullet's vocabulary instead, even if the user describes the scene cinematically.
• Graphic design / logo / vector / poster / UI mockup / pixel art / icon / diagram — replace camera language with: layout / visual hierarchy, negative space, line weight, typography behavior (only if the user wants text), color system, geometric shape language. Do NOT specify lens or f-stop for vector or pixel-art outputs.

For the concrete vocabulary in each category — and for any other medium — see references/director-toolkit.md.

Scan your draft for vague descriptors (good lighting, nice colors, beautiful) and replace each with a concrete choice from the toolkit appropriate to the chosen medium.

4. Critique and refine

Run the draft against this checklist; rewrite weak lines:

• Opens with a strong, specific style/medium descriptor (not "beautiful", "amazing").
• Priority ordering: the most important subject + action + style constraints appear in the first sentence. Later sentences refine lighting, composition, materiality — they should not introduce competing concepts.
• Subject / focus is unambiguous; multi-subject prompts state the dominant focus.
• Positive framing for generation prompts: describe what IS in the frame, not what isn't ("an empty street", not "no cars"). Edit prompts are exempt — explicit remove / preserve / unchanged language is allowed and usually necessary.
• Lighting is named (direction + quality + temperature), not just "good lighting" — OR for non-photographic media, replaced with a medium-appropriate equivalent (palette, line weight, brushwork, etc.).
• At least one piece of medium-appropriate craft language (camera + lens for photo; brushwork / line / shading for illustration; layout / hierarchy / negative space for graphic design).
• At least one concrete material or texture word (skip for pure vector / flat-design outputs).
• No tag/weight syntax: no {}, [], (tag:1.5), <lora:>, no comma-separated keyword soup.
• No accidental text-rendering instructions unless the user asked for text (re-read the "Important content rule").
• Shot framing is explicit — close-up / medium / wide, plus viewpoint (eye-level / low-angle / bird's-eye / over-the-shoulder). Do not rely on "depth" or "framing" alone to imply it.
• At least one narrative micro-anchor — a single concrete physical detail that gives the eye something to land on (steam curling from a cup, a single fallen petal, a half-written line on paper, a fingerprint on glass). Skip only for pure logo / icon / vector work.
• Art-lineage anchor present (recommended, not strict) — a style family, movement, or aesthetic tradition (Studio Ghibli–inspired, Art Nouveau, Ukiyo-e, mid-century modern poster). Prefer movements / studios over naming living artists. Omit only when the user explicitly wants neutral / generic styling.
• Length is appropriate and matches Phase 2: short (40–80 words) for simple subjects, medium (80–160) for cinematic scenes, long (160–250) for complex multi-element compositions. Beyond ~250 words you are usually hurting the model.
• If references were provided, the relationship between each reference and the output is stated explicitly ("use the pose from image A, the color palette from image B").

Optional: offer the user a follow-up

After delivering the prompt, briefly offer 1–3 specific variations (e.g. "want me to swap the lighting to harsh midday sun?", "want a 9:16 portrait variant?"). One line, not another draft.

Output shape

Default to this response shape unless the user requests otherwise:

Prompt:
<one-paragraph natural-language prompt, 60–180 words>

Notes (optional, ≤3 bullets):
- Aspect ratio / size recommendation if relevant
- Any assumption you made (so the user can override it)
- One suggested variation

For multiple distinct scenes (storyboard, ad campaign, character sheet), output one prompt per scene with a one-line caption above each; keep subject/style continuity language consistent across the set.

When to load reference files

• Simple text-to-image prompt for a familiar medium → the core formula in this file is enough; do not load anything.
• Reference images, editing, text-in-image, real-time/web-search, or character-consistency sets → load references/formulas.md for the scenario-specific template.
• Draft feels generic / "AI-slop" / over-uses vague adjectives → load references/director-toolkit.md and replace weak words with specific vocabulary.
• Need to calibrate tone, length, or structure against known-good prompts → load references/examples.md.

What to do when the input is hostile to good output

• Input is just tags ("1girl, blue dress, beach, sunset") → ack the tags, then rewrite as flowing English following the workflow. Don't echo the tags back.
• Input is extremely vague ("make me a cool image") → ask one focused question (typically subject + mood) before drafting.
• Input is too long / a wall of contradictory adjectives → distill it down to the essential intent before drafting; the prompt you deliver should be tighter than the input.