Ue Audio And Metasounds

Audio & MetaSounds

The Unreal audio pipeline: a sound asset (USoundBase subclass) is activated either as a fire-and-forget one-shot or via a UAudioComponent for ongoing control. 3D sounds are positioned and faded using a USoundAttenuation asset. Mixing is handled through sound classes, submixes, and concurrency objects. MetaSounds are the modern, node-based, parameter-driven replacement for SoundCues.

When to use this skill

• Playing SFX (gunshots, footsteps, impacts), music, or UI sounds from C++.
• Attaching a looping or positional sound to an actor (engine hum, ambience).
• 3D spatialization and distance falloff configuration.
• Mixing: volume groups, ducking music under dialogue, limiting voice counts.
• Procedural/parameterized audio (footsteps that vary, adaptive music) via MetaSounds.
• Beat-synchronized audio events with the Quartz clock system.
• Building or modifying MetaSound graphs at runtime via the Builder API.

Sound asset types

Prefer MetaSounds for new dynamic audio. SoundCues remain fully supported and are simpler for lightweight randomization. USoundWave is never played directly in gameplay code — it is the leaf asset referenced inside cues or MetaSound graphs.

Playing sounds from C++

#include "Kismet/GameplayStatics.h"
#include "Components/AudioComponent.h"

// 2D (UI, music) — fire-and-forget, no spatialization:
UGameplayStatics::PlaySound2D(this, UISound);

// 3D at a world position — fire-and-forget:
UGameplayStatics::PlaySoundAtLocation(this, ExplosionSound, HitLocation,
    FRotator::ZeroRotator, 1.f, 1.f, 0.f, AttenuationAsset);

// 3D attached to a component — returns controllable UAudioComponent:
UAudioComponent* AC = UGameplayStatics::SpawnSoundAttached(
    EngineLoop, VehicleMesh, NAME_None);
AC->FadeIn(0.5f);

// Stop or adjust later:
AC->SetFloatParameter(TEXT("RPM"), 4200.f);  // MetaSound input
AC->FadeOut(0.3f, 0.f);

PlaySound* functions are fire-and-forget. Use SpawnSound* or a UAudioComponent placed on the actor when you need to stop, fade, change parameters, or react to OnAudioFinished. Store the component in a UPROPERTY() member so GC cannot collect it while it is playing (see ue-memory-and-gc).

Audio component placed on an actor

// Header — owned audio component, UPROPERTY keeps it alive:
UPROPERTY(VisibleAnywhere)
TObjectPtr<UAudioComponent> EngineAudio;

// Constructor:
EngineAudio = CreateDefaultSubobject<UAudioComponent>(TEXT("EngineAudio"));
EngineAudio->SetupAttachment(RootComponent);
EngineAudio->bAutoActivate = false;   // start silent; Play() from BeginPlay

// BeginPlay:
EngineAudio->SetSound(EngineLoopAsset);
EngineAudio->Play();

See references/audiocomponent-and-playback.md for the full UAudioComponent API, delegates, and playback state machine.

3D spatialization & attenuation

A USoundAttenuation asset bundles: distance model and falloff radius, spatialization algorithm (panning or HRTF plugin), occlusion, reverb send, air absorption, and priority attenuation. Assign it on the sound asset itself (AttenuationSettings on USoundBase) or override it per-call by passing it to PlaySoundAtLocation / SpawnSoundAttached.

A sound without an attenuation asset plays as flat 2D regardless of where the audio component is in the world. The inner radius defines a constant-volume zone; falloff begins at the inner radius and reaches zero at the falloff distance.

See references/attenuation-and-spatialization.md for the full FSoundAttenuationSettings fields, distance models, HRTF, and Audio Gameplay Volumes.

Mixing: classes, submixes, concurrency

A sound routes to its sound class's submix by default. Submix sends let a sound copy signal to additional buses (e.g. a reverb or analysis bus) without leaving the main chain. Audio Buses (UAudioBus) are an alternative bus type that route before or after source effects, useful for sidechaining.

See references/mixing-classes-submixes-concurrency.md for concurrency steal rules, submix effect chains, audio bus sends, and dynamic mixing from C++.

MetaSound parameters at runtime

MetaSound Sources expose typed inputs (float, int32, bool, trigger, wave) declared in the graph. Drive them from the owning audio component:

// Set before or during playback:
AC->SetFloatParameter(TEXT("Intensity"),   0.8f);
AC->SetBoolParameter(TEXT("IsUnderwater"), true);
AC->SetIntParameter(TEXT("FootSurface"),   2);

// Trigger a one-shot event inside the graph (stateless pulse):
AC->SetTriggerParameter(TEXT("OnImpact"));

// Swap the wave asset a graph node is playing:
AC->SetWaveParameter(TEXT("ImpactWave"), GroundHitWave);

Input names are case-sensitive FName values that must exactly match the graph's Input node names. A mismatch produces no error and no effect. The parameter interface is declared in Runtime/Engine/Public/Audio/SoundParameterControllerInterface.h.

MetaSounds also expose outputs (e.g., a float metering value). Read them through UMetasoundGeneratorHandle obtained from UMetaSoundSource:: GetGeneratorForAudioComponent — available only while the sound is playing.

See references/metasound-parameters-and-builder.md for the Builder API, output watching, and runtime graph authoring.

Quartz: beat-quantized playback

Quartz provides a game-thread musical clock (UQuartzClockHandle) that fires events on beat/bar boundaries. Use it to start sounds precisely on the beat without drifting audio timers:

// Obtain the clock subsystem and create or find a named clock:
UQuartzSubsystem* Quartz = UQuartzSubsystem::Get(GetWorld());
UQuartzClockHandle* Clock = Quartz->CreateNewClock(this, TEXT("MusicClock"),
    FQuartzClockSettings{});

// Schedule a sound to start on the next bar boundary:
FQuartzQuantizationBoundary Boundary;
Boundary.Quantization = EQuartzCommandQuantization::Bar;
Boundary.BoundaryType = EQuarztQuantizationBoundaryType::FromNow;
AC->PlayQuantized(GetWorld(), Clock, Boundary, {});

The Quartz subsystem (UQuartzSubsystem) lives in the Audio Mixer module. UAudioComponent::PlayQuantized is declared in AudioComponent.h:521.

Triggering from gameplay & animation

Footstep, impact, and weapon sounds should be triggered from Anim Notifies (see ue-animation-system) or gameplay events, not manual timers. This keeps audio in sync at any play rate or time dilation. For high-frequency impacts use concurrency to avoid voice spam — limit simultaneous instances and choose an appropriate steal rule.

Gotchas

• Fire-and-forget when you needed control — PlaySound* returns nothing; use SpawnSound* or a component to stop, fade, or change parameters later.
• No attenuation asset → 3D sound plays as 2D, no falloff.
• Parameter name mismatch on MetaSounds → silent no-op, no log warning.
• No concurrency limits → voice spam and clipping under heavy action.
• Audio component not in a UPROPERTY → GC'd while playing, sound stops.
• SetWaveParameter called on a SoundCue → no effect; wave params target MetaSound wave inputs (or legacy SoundCue wave params — different systems).
• bDisableParameterUpdatesWhilePlaying set on the component → parameter calls are queued but not forwarded to the active sound.
• Importing non-WAV → import PCM WAV only; build variation inside MetaSound or SoundCue graphs rather than baking it into the file.
• Virtualization — EVirtualizationMode on USoundBase controls whether looping sounds silently continue (PlayWhenSilent), restart, or drop when evicted. Default is Disabled; forgotten virtualization config is a common cause of music "disappearing" under heavy load.

Version notes

• MetaSounds were introduced in UE5.0; the Builder API (Beta) expanded significantly in 5.4–5.5; output watching via UMetasoundGeneratorHandle was stabilised in 5.4.
• EVirtualizationMode::SeekRestart is experimental as of UE 5.6–5.8 (SoundBase.h:76).
• FAudioComponentParam (old named-parameter struct) was deprecated in UE 5.0; use FAudioParameter / SetFloatParameter etc. instead.
• OnGeneratorInstanceCreated / OnGeneratorInstanceDestroyed on UMetaSoundSource deprecated in 5.6; use OnGeneratorInstanceInfoCreated / OnGeneratorInstanceInfoDestroyed (MetasoundSource.h:338–344).

References & source material

Engine source (UE 5.8):

• Runtime/Engine/Classes/Components/AudioComponent.h — UAudioComponent:167; Play:517, Stop:583, FadeIn:500, FadeOut:511, SetFloatParameter:548, SetBoolParameter:534, SetIntParameter:541, SetWaveParameter:622, OnAudioFinished:456, GetPlayState:605, SetSubmixSend:644.
• Runtime/Engine/Public/Audio/SoundParameterControllerInterface.h — ISoundParameterControllerInterface:24, SetTriggerParameter:32.
• Runtime/Engine/Classes/Sound/SoundBase.h — USoundBase:108, SoundClassObject:117, AttenuationSettings:222, ConcurrencySet:188, VirtualizationMode:170, EVirtualizationMode:57.
• Runtime/Engine/Classes/Sound/SoundWave.h — USoundWave:421 (extends USoundBase; leaf asset for raw PCM audio).
• Runtime/Engine/Classes/Sound/SoundCue.h — USoundCue:90 (legacy node graph over USoundWave assets).
• Runtime/Engine/Classes/Sound/SoundAttenuation.h — USoundAttenuation:453, FSoundAttenuationSettings:148.
• Runtime/Engine/Classes/Sound/SoundClass.h — USoundClass, FSoundClassProperties:54.
• Runtime/Engine/Classes/Sound/SoundSubmix.h — USoundSubmix, submix effects.
• Runtime/Engine/Classes/Sound/SoundConcurrency.h — FSoundConcurrencySettings:74, EMaxConcurrentResolutionRule:31.
• Runtime/Engine/Classes/Sound/AudioBus.h — UAudioBus, EAudioBusChannels:13.
• Runtime/Engine/Classes/Kismet/GameplayStatics.h — PlaySound2D:680, SpawnSound2D:699, PlaySoundAtLocation:732, SpawnSoundAtLocation:754, SpawnSoundAttached:778.
• Plugins/Runtime/Metasound/Source/MetasoundEngine/Public/MetasoundSource.h — UMetaSoundSource:89, GetGeneratorForAudioComponent:326, OnGeneratorInstanceInfoCreated:343.
• Plugins/Runtime/Metasound/Source/MetasoundEngine/Public/MetasoundBuilderSubsystem.h — UMetaSoundBuilderSubsystem, UMetaSoundSourceBuilder:71.

Official docs (UE 5.8):

• Working with Audio — https://dev.epicgames.com/documentation/unreal-engine/working-with-audio-in-unreal-engine
• MetaSounds — https://dev.epicgames.com/documentation/unreal-engine/metasounds-in-unreal-engine
• MetaSound Builder API — https://dev.epicgames.com/documentation/unreal-engine/metasound-builder-api-in-unreal-engine
• Spatialization and Sound Attenuation — https://dev.epicgames.com/documentation/unreal-engine/spatialization-and-sound-attenuation-in-unreal-engine
• Audio Mixing — https://dev.epicgames.com/documentation/unreal-engine/audio-mixing-in-unreal-engine
• Submixes — https://dev.epicgames.com/documentation/unreal-engine/submixes-in-unreal-engine

Deep-dive references in this skill:

• references/audiocomponent-and-playback.md — full UAudioComponent API, playback state machine, delegates, and Quartz.
• references/attenuation-and-spatialization.md — FSoundAttenuationSettings fields, distance models, HRTF, Audio Gameplay Volumes.
• references/mixing-classes-submixes-concurrency.md — concurrency steal rules, submix effect chains, audio bus sends, dynamic mixing.
• references/metasound-parameters-and-builder.md — runtime parameter API, output watching, MetaSound Builder API.