Writing Style & Citation (artbull-writing-style-and-citation)
The Art Bulletin follows The Chicago Manual of Style, using endnotes (not footnotes) for the
scholarly apparatus, per the CAA Publications Style Guide. The prose must be precise about objects and
arguments, and the notes and captions must be flawlessly consistent. (Verify the current Chicago
edition — the Style Guide states the 17th; an older page referenced the 16th. See 待核实.)
When to trigger
- Final stylistic polish before submission
- Converting citations to Chicago notes form (endnotes)
- Formatting captions and credit lines
- A reviewer or editor flagged inconsistent or non-Chicago citations
Style & citation norms
- Chicago notes, as endnotes. Numbered consecutively, superscript after punctuation; full
citation at first mention, short form thereafter (CMOS chapter 14). Not author-date.
- Precise art-historical prose. Name media, techniques, and conventions correctly; describe
works exactly; avoid vague evaluative adjectives that stand in for analysis.
- Captions and credit lines. Artist, italicized title, date, medium, dimensions (inches then
centimeters), collection and location, and the required credit/copyright line in parentheses,
exactly as the rights holder mandates (see
artbull-images-and-permissions).
- Figure references in text. Consistent "Figure n" references; figure numbers carry no period;
every figure is cited in the prose.
- Quotations and translations. Original language where wording matters, with accurate
translations; consistent treatment of titles, foreign terms, and transliteration.
- Manuscript mechanics. 12-point, double-spaced, Microsoft Word (not PDF); endnotes, not
footnotes; one consistent style throughout.
Anti-patterns
- Author-date citations (The Art Bulletin uses Chicago notes)
- Footnotes instead of endnotes; inconsistent short-form citations
- Captions missing dimensions, location, or the mandated credit line
- Figures never referenced in the prose, or referenced inconsistently
- Evaluative adjectives ("masterful," "stunning") substituting for description
- Submitting a PDF (breaks the office's ability to anonymize) — submit Word
Chicago-and-caption conformance table for the CAA quarterly
The College Art Association's quarterly runs on Chicago notes and full credit-line captions, and a
copyeditor (and referee) will notice every slip.
| Element |
Correct here |
Common error |
Correction |
| Citation system |
Chicago notes as endnotes (CMOS ch. 14) |
Author-date, or footnotes |
Convert to numbered endnotes; full first, short after |
| Caption content |
Artist, italic title, date, medium, dimensions (in. then cm), collection, location |
Missing dimensions or location |
Complete every field in the prescribed order |
| Credit line |
The rights holder's exact mandated wording, parenthetical |
Generic or omitted credit |
Reproduce the wording the permission requires |
| Prose |
Precise about media, technique, convention |
Evaluative filler ("masterful," "stunning") |
Replace the adjective with what is observable |
Worked vignette: copyediting a passage to house style
Suppose a paragraph reads: "Caravaggio's stunning canvas (see fig. 3.) brilliantly handles light, as
Smith argued (Smith 2009, 42)." Three things are wrong for this venue. The author-date
parenthetical becomes a Chicago endnote, full first citation and short form thereafter. The figure
reference is normalized to "Figure 3" with no period on the number, the text confirming the figure is
discussed where cited. The evaluative filler — "stunning," "brilliantly" — is replaced with what is
observable: the tenebrist contrast and single raking light source the argument depends on. The caption
is then checked for artist, italic title, date, medium, dimensions in inches then centimeters,
collection, location, and the museum's mandated credit line in parentheses.
Style objections an editor flags, and the house-style fix
- "These are author-date citations." The venue uses Chicago notes; convert to endnotes and drop the
parentheticals (CMOS ch. 14).
- "The captions are incomplete." Add the missing dimensions, location, and the rights holder's exact
credit line, since the permission is conditional on the wording.
Calibration anchor (hedge where uncertain)
- The apparatus rides in endnotes, which count toward the long-form word cap, so short-form
consistency matters across a long article (confirm the current Chicago edition and caps against the
journal's current submission guidelines); the credit line is the visible end of the image-permissions
pipeline, and incorrect wording can breach the grant (
artbull-images-and-permissions).
Output format
【Citation style】Chicago notes / endnotes, CMOS ch. 14? [Y/N]
【Chicago edition】confirmed on live page? (17th per Style Guide; 待核实)
【Captions】full credit lines + mandated wording? [Y/N]
【Figure refs】every figure cited, consistent "Figure n"? [Y/N]
【Prose】precise about objects, no filler adjectives? [Y/N]
【Format】Word, 12-pt, double-spaced, endnotes? [Y/N]
【Next】artbull-review-process
Supplementary resources
Source: brycewang-stanford/Awesome-Journal-Skills → The-Art-Bulletin-Skills/skills/artbull-writing-style-and-citation/SKILL.md
1---2name: artbull-writing-style-and-citation3description: Use when polishing prose and formatting citations for an Art Bulletin article to The Chicago Manual of Style — endnotes (not author-date), full credit-line captions, and consistent CAA-style formatting. Art-historical writing must be precise about objects and rigorous in its notes. Handles style and citation; it does not do the analysis.4---5
6
7# Writing Style & Citation (artbull-writing-style-and-citation)
8
9The Art Bulletin follows **The Chicago Manual of Style**, using **endnotes (not footnotes)** for the
10scholarly apparatus, per the CAA Publications Style Guide. The prose must be precise about objects and
11arguments, and the notes and captions must be flawlessly consistent. (Verify the current Chicago
12edition — the Style Guide states the 17th; an older page referenced the 16th. See 待核实.)
13
14## When to trigger
15
16- Final stylistic polish before submission
17- Converting citations to Chicago **notes** form (endnotes)
18- Formatting captions and credit lines
19- A reviewer or editor flagged inconsistent or non-Chicago citations
20
21## Style & citation norms
22
231. **Chicago notes, as endnotes.** Numbered consecutively, superscript after punctuation; full
24 citation at first mention, short form thereafter (CMOS **chapter 14**). Not author-date.
252. **Precise art-historical prose.** Name media, techniques, and conventions correctly; describe
26 works exactly; avoid vague evaluative adjectives that stand in for analysis.
273. **Captions and credit lines.** Artist, *italicized title*, date, medium, dimensions (inches then
28 centimeters), collection and location, and the **required credit/copyright line** in parentheses,
29 exactly as the rights holder mandates (see `artbull-images-and-permissions`).
304. **Figure references in text.** Consistent "Figure n" references; figure numbers carry no period;
31 every figure is cited in the prose.
325. **Quotations and translations.** Original language where wording matters, with accurate
33 translations; consistent treatment of titles, foreign terms, and transliteration.
346. **Manuscript mechanics.** 12-point, double-spaced, Microsoft Word (not PDF); endnotes, not
35 footnotes; one consistent style throughout.
36
37## Anti-patterns
38
39- Author-date citations (The Art Bulletin uses Chicago **notes**)
40- Footnotes instead of endnotes; inconsistent short-form citations
41- Captions missing dimensions, location, or the mandated credit line
42- Figures never referenced in the prose, or referenced inconsistently
43- Evaluative adjectives ("masterful," "stunning") substituting for description
44- Submitting a PDF (breaks the office's ability to anonymize) — submit Word
45
46## Chicago-and-caption conformance table for the CAA quarterly
47
48The College Art Association's quarterly runs on Chicago notes and full credit-line captions, and a
49copyeditor (and referee) will notice every slip.
50
51| Element | Correct here | Common error | Correction |
52|---|---|---|---|
53| Citation system | Chicago **notes** as endnotes (CMOS ch. 14) | Author-date, or footnotes | Convert to numbered endnotes; full first, short after |
54| Caption content | Artist, *italic title*, date, medium, dimensions (in. then cm), collection, location | Missing dimensions or location | Complete every field in the prescribed order |
55| Credit line | The rights holder's exact mandated wording, parenthetical | Generic or omitted credit | Reproduce the wording the permission requires |
56| Prose | Precise about media, technique, convention | Evaluative filler ("masterful," "stunning") | Replace the adjective with what is observable |
57
58## Worked vignette: copyediting a passage to house style
59
60Suppose a paragraph reads: "Caravaggio's stunning canvas (see fig. 3.) brilliantly handles light, as
61Smith argued (Smith 2009, 42)." Three things are wrong for this venue. The **author-date**
62parenthetical becomes a Chicago endnote, full first citation and short form thereafter. The **figure
63reference** is normalized to "Figure 3" with no period on the number, the text confirming the figure is
64discussed where cited. The **evaluative filler** — "stunning," "brilliantly" — is replaced with what is
65observable: the tenebrist contrast and single raking light source the argument depends on. The caption
66is then checked for artist, italic title, date, medium, dimensions in inches then centimeters,
67collection, location, and the museum's mandated credit line in parentheses.
68
69## Style objections an editor flags, and the house-style fix
70
71- *"These are author-date citations."* The venue uses Chicago notes; convert to endnotes and drop the
72 parentheticals (CMOS ch. 14).
73- *"The captions are incomplete."* Add the missing dimensions, location, and the rights holder's exact
74 credit line, since the permission is conditional on the wording.
75
76## Calibration anchor (hedge where uncertain)
77
78- The apparatus rides in **endnotes**, which count toward the long-form word cap, so short-form
79 consistency matters across a long article (confirm the current Chicago edition and caps against the
80 journal's current submission guidelines); the credit line is the visible end of the image-permissions
81 pipeline, and incorrect wording can breach the grant (`artbull-images-and-permissions`).
82
83## Output format
84
85```
86【Citation style】Chicago notes / endnotes, CMOS ch. 14? [Y/N]
87【Chicago edition】confirmed on live page? (17th per Style Guide; 待核实)
88【Captions】full credit lines + mandated wording? [Y/N]
89【Figure refs】every figure cited, consistent "Figure n"? [Y/N]
90【Prose】precise about objects, no filler adjectives? [Y/N]
91【Format】Word, 12-pt, double-spaced, endnotes? [Y/N]
92【Next】artbull-review-process
93```
94
95## Supplementary resources
96
97- [`../../resources/external_tools.md`](../../resources/external_tools.md) — Chicago notes reference managers and manuscript tooling
98- [`../../resources/official-source-map.md`](../../resources/official-source-map.md) — Chicago edition (待核实), CMOS ch. 14, caption/credit-line format
99
100---
101
102**Source:** [`brycewang-stanford/Awesome-Journal-Skills`](https://github.com/brycewang-stanford/Awesome-Journal-Skills) → `The-Art-Bulletin-Skills/skills/artbull-writing-style-and-citation/SKILL.md`