Build World

The two things you may not decide alone

Everything else in this file is guidance you apply with judgement. A gate is a question you ask and then wait for an answer to, in plain text if your harness has no option picker. Asking and acting in the same turn is not asking.

A build has at most two of them, and which two depends on the account:

Behind the asymmetry is one rule: each account is asked about money at most once per build.

• A free account is asked at the start, while the answer can still shape what gets made, and is not asked again. If the build later stops short, a line saying so is enough; they answered this question already.
• A paid account is not asked at the start, since interrupting somebody who already pays buys nothing. Its money question, if there is one, comes at the end, where a finished game is on screen and the gap in it has names.

HARD STOP 3 often does not happen at all. It needs both halves: the cubes ran out, AND there are assets from the plan still unbuilt. A build that had enough cubes and finished its list ends at HARD STOP 2, with the link and nothing further to ask.

The balance forecast is not a gate. On every plan, say in one line where the balance runs out in the ranked list before generating anything (see "Draw the line through the list"), then carry on without waiting. It is what keeps the end of the build from being a surprise.

If you are about to call thrixel_create_model or thrixel_sculpt_model on a free account and have not asked HARD STOP 1, or about to give a localhost: address and have not asked HARD STOP 2, ask now.

Before anything else - update this skill

You are reading a copy that was installed at some point in the past, and it does not update itself. The Thrixel MCP server does: its config pins thrixel-mcp@latest, so it re-resolves every session. A stale copy of this file will eventually tell you to call the server in a way it no longer supports.

Do this at the START of every session, before you read further. It is one command.

1. Is this a plugin install? If any segment of this file's path is plugins - for example .claude/plugins/cache/... or .codex/plugins/cache/... - stop here and do not run git at all. A plugin snapshot belongs to the plugin system, and some of them ARE git clones, so the check below would happily pull into one and leave the installed copy disagreeing with what the plugin system believes it installed.

For a plugin install, check staleness without touching git. If one segment of the path is a 12-character hex string, that is the commit this copy was built from; compare it against the tip of main:

curl -sL --max-time 5 https://api.github.com/repos/thrixel/build-world/commits/main

The returned sha starts with that hex segment -> this copy IS current. Continue, and do not describe it as possibly out of date. Anything else -> tell the user once that a newer version is available and how to get it (Claude Code: /plugin update thrixel@thrixel; Codex: codex plugin marketplace upgrade thrixel), then continue with the copy you have. No hex segment in the path, or curl fails -> continue silently; do not retry, do not mention it. Either way, skip steps 3 and 4.

2. Otherwise, confirm this file sits where its own repository puts it, and not inside the user's repo. Skills are often installed under a project's .claude/skills/, and that project is usually a git repo of its own. Git searches upward, so pulling without this check can pull the USER'S OWN repository. Never skip it.

git -C <the directory this file is in> rev-parse --show-prefix

• Output is exactly skills/build-world/ (or skills/goal-to-game/ in an older clone) -> this is its own clone, safe, go to step 3.
• Any other path -> git walked up into the user's project. Stop. Do not pull anything. Continue with the copy you have.
• not a git repository -> this copy was downloaded rather than cloned, so it cannot update. Say so once ("my copy of the Thrixel skill cannot self-update, so it may be out of date"), then continue. Skip steps 3 and 4: there is nothing to pull and no remote to read.

3. Pull.

git -C <the same directory> pull --ff-only

• Already up to date. -> continue.
• Files changed -> re-read this file, and any other file from this skill you have already read. You are holding the old text in context and it is now wrong. This is the whole point of the step; skipping it wastes the update.
• Anything else (local edits, diverged history, no network) -> do not fight it. Say what happened in one line and continue with the copy you have.

This step must never block the build. One command, read the result, move on.

4. If the remote still names the old repository, retarget it once. Only when step 3 actually ran and succeeded:

git -C <the same directory> remote get-url origin

Contains goal-to-game -> this clone was made from the repository's name before it was renamed. GitHub still redirects that name, which is why everything above worked and why nothing here is broken. But the old name stays baked into the folder and into every git remote -v the user runs, so point it at the current URL once and say a single line about it:

git -C <the same directory> remote set-url origin https://github.com/thrixel/build-world

Anything else -> silent. No output, no comment, no second look.

This is cosmetic. It must never block the build, and it must never feed back into step 2.

The check is on the path inside the repository, not on the repository's name or remote. Matching a name looks equivalent and is not: a copy whose origin does not match would read its own remote, fail, and conclude it had walked into the user's project - so it would stop updating itself silently, and be sure it was right to. Asking git where this file sits relative to the repo root answers the question actually being asked, survives the folder being renamed, and gives the same answer whether the clone is at ~/.claude/skills/thrixel or anywhere else. Step 4 reads the remote, but only to relabel it, and only after step 3 has already decided this copy was safe to pull.

What is being asked for - route before you read further

This skill covers three jobs, and only one of them is a build. Decide which one you are on now, because the wrong route wastes a lot of the user's time: an agent asked to publish a folder that starts planning an asset list and calling thrixel_account_status looks like it did not read the request.

1. Build a game ("make me a game", "build a X prototype"). The default, and the rest of this file. Continue below.

The gates from the top of this file apply to route 1, and only to route 1. Routes 2 and 3 spend nothing and publish nothing new, so none of them fires there.

2. Publish a game that already exists ("publish the game in ~/mygame", "put this online", "I have a game folder, can you host it"). Skip everything between here and "Publishing to thrixel.world" - the settings check, the asset list, the plan offer, the engine choice, every generation step. None of it applies: no assets are being generated, so nothing is being spent, so there is nothing to ask about. Go straight to Publishing to thrixel.world, and specifically to "Publishing a game you did not just build".

3. Manage what is already published ("what have I published?", "what was the link for my racing game?", "take the golf one down", "rename it", "hide it from the directory"). One or two tool calls and an answer. Go straight to Managing published games. Do not read the rest of this file.

Jobs 2 and 3 need no Thrixel plan, no cubes and no account balance - publishing is free. The only requirement is a signed-in account, which the MCP server handles; if it is not signed in, the tool says so.

Check your own settings first

Every question you ask costs the user something, so ask as few as possible. Across the whole setup you are allowed to ask for exactly three things: the sign-in, the plan choice on the free tier, and decisions about the game itself. Everything else you work out yourself or stay quiet about. A setup that interrogates the user is the failure mode here, not a thorough one.

That applies to this check. If you can see that you are on a weak model or low reasoning effort, say so once, because it changes the result more than anything else on this page:

" One thing before we start: I'm on at effort. Building a whole game in one pass is a long-horizon planning job, and on a lower setting I lay out noticeably flatter, more generic scenes. If your plan allows it, switch to the most capable model at the highest reasoning effort (in Claude Code that is /model), then tell me to continue. "

If you cannot determine your own settings, say nothing and continue. Do not announce that you could not check, and do not ask the user to go and look. It is a question they usually cannot answer better than you, it delays the build, and it makes setup feel like a form. If you can see your model but not your effort level, that is not worth a message either.

First time setup - go through setup and installation flow.

IMPORTANT! MUST DO! If you are reading this, and the user has just asked you to install the skill into the project, then read SetupAndInstallationFlow.md and you MUST follow the instructions there. Do this before anything else.

(This is about INSTALLING the skill. A user who asked you to publish an existing folder, or asked what they have published, has not asked for an install - do not run the setup flow at them, and do not install a game engine to publish a folder that is already built.)

Overview

Use Thrixel for 3D assets. Use the target engine to orchestrate game logic, UI, effects, and sounds. The game MUST be polished and visually stunning. The game should do everything thats done in a AAA game, anything from high quality models, to physics, including:

• UI (HUD, health bars, etc.)
• A mix of Architect and Architect -> Detailer meshes from Thrixel
• Rigorously playtested gameplay with intuitive keyboard controls
• Playable on a phone, with touch controls and a HUD that fits a small screen
• Optimized framerate of at least 30 FPS

Mobile is a requirement, not a port

Build every game to be playable on a phone from the start. The finished game becomes a public link (see Publishing, below), the user sends that link to someone, and that someone opens it on a phone. A game that needs WASD is dead on arrival for most of the people who will ever see it.

This is a design constraint before it is a technical one, so decide it while you are deciding the controls, not afterwards:

• Every action needs a touch equivalent. A scheme built on a modifier key, a scroll wheel, or four simultaneous keys cannot be retrofitted onto two thumbs.
• On-screen controls have to be visible. Touch input with no visible controls is the most common mobile failure and it does not read as a bug to the player: they see a 3D scene, tap once, and leave.
• HUD text and buttons have to work at 390 px wide, with 44 px as the floor for anything pressable.
• A phone reports devicePixelRatio 3, so an uncapped renderer asks a phone GPU for several times the pixels of a laptop. Cap it.

The three.js kit does most of this for you: lib/input.js feeds touch into the same input snapshot the keyboard feeds (so gameplay code needs no touch branch), lib/touchui.js draws the on-screen controls, and tools/mobilecheck.mjs is the gate - it emulates a phone with no keyboard and asserts a thumb can actually move the player. Read the Mobile section of engines/threejs/threejs.md. For Unity, the equivalent notes are in engines/unity.md under Publishing.

Verify it, do not assume it. node tools/mobilecheck.mjs before you call a game done, and look at the screenshot it writes - a HUD designed on a big monitor fails in ways no assertion catches.

And never report a property you did not measure. "Works perfectly on desktop and mobile, 60 FPS" is a claim, and a game that throws a ReferenceError on its first frame produces exactly the same terminal output as one that works. Run tools/playcheck.mjs (see Publishing) and say what it returned. If you could not run it, say the game is unverified - that is a useful sentence, and a confident wrong one is not.

Pay special attention to mesh quality, realism, character quality, to ensure it looks AAA. Work alone, do NOT launch subagents to do work - subagents will interfere with each other and make everything more difficult. However, frequently launch subagents as harsh critic agents to inspect your work. If the subagent determines the game doesn't look absolutely AAA, you must continue the build until the subagent decides the game looks good enough.

Plan the asset list - REQUIRED first step when BUILDING a game

"Required" means required on the build path. If the user asked you to publish a folder they already have, or asked about games they published earlier, none of this section applies - no assets are being generated, so there is nothing to plan or to spend. Go to Publishing or to Managing published games.

Otherwise, once the user has asked for a game, do this FIRST. It applies to every game, whether or not you walked them through SetupAndInstallationFlow.md this session: most games are built by someone who installed the skill weeks ago and never sees that file again.

Size the asset list to the game, never to the balance. Write out every 3D asset the game needs in order to be good, then rank that list by how much the player will notice each item. Build in that order. The balance decides how far down that list this session gets; it does not decide how big the idea is. Do not shorten the list, downgrade a tier, or cut a feature because of what the balance says - a game planned around a cube budget is a smaller, duller game, and the game is the point. Not before the user has had a chance to say how ambitious they want this build to be, either.

Call thrixel_account_status and read the real numbers. Do not assume a plan. It returns the user's plan, cube balance and concurrent-job cap. The cap is the number that changes what you do: it limits how many jobs may run at once. The balance does not change the plan, it only tells you how far down the ranked list you will get before you have to ask.

Never state a plan, price, cap or pack size from memory, including from this file. Call thrixel_pricing for the catalogue (plans, concurrency caps, fixed operation prices, top-up packs) and thrixel_account_status for this account. Both read live from Thrixel, so what you show the user is always what they will actually be charged. Numbers written into this file eventually are not.

Draw the line through the list before you generate anything

You have the list the game wants and the balance that exists. Work out where one meets the other now, at the desk, rather than discovering it later when a call fails.

1. Rank the whole list as if cubes were unlimited. A chicken farm wants twenty things. Write all twenty, then order them by how much a player would miss each one.
2. Estimate how far the balance reaches. From thrixel_account_status and thrixel_pricing, remembering that Architect is metered on object complexity and the spread between a simple prop and a complex one is roughly four to one. Approximate is the point. You are looking for "about eight of these", not a figure to defend.
3. Say where the line falls, in one line, before the first generation call. "Twenty things would make this farm properly. Your balance covers roughly the first eight, so the coop, the hens and the feed trough get built and the tractor, the silo and the scarecrow start as blocks." Then start. It is a statement, not a question - do not wait for an answer, and on a free account fold it into HARD STOP 1 below rather than saying it twice.
4. Build above the line, block out below it, then finish the game. Everything under the line goes into the scene as a labelled placeholder at the right size and in the right place, and the game logic is written against the FULL list. What ships is a complete game with some of its art still grey, which is playable, rather than a fraction of a game, which is not.

Do this on every plan, paid included. A plan name is not a balance: the allowance arrives once a billing month and spends down from there, so an account on the largest plan, late in its cycle, can be holding less than a brand-new free one. Reading the plan name instead of the number is how a paying user ends up starting a twenty-asset game with seven assets' worth of cubes.

If the balance reaches the whole list, there is nothing to say. No line, no news.

Re-check thrixel_account_status every few assets. Estimates drift, and a balance that jumped means they paid: move the line down and carry on in the same ranked order.

The line is a forecast, not a quota

It exists so the user knows what to expect, and it is deliberately approximate. Treating it as a budget to stop at leaves cubes unspent and the game thinner than the balance was good for, so keep working down the ranked list until the service says no. Whether the balance covers the next item is something it will tell you, at no cost, more accurately than an estimate can.

Two kinds of operation, gated differently, so "no" arrives in two shapes:

• Create, Edit and Autofix are priced after the run, so the only question is whether anything is left. Any positive balance buys one more, and a single overrun past zero is absorbed rather than refused mid-job. Worth attempting even when what remains looks small for it.
• Detailer, Sculptor and Texture cost a flat price the balance has to cover up front. Once it no longer does, those are finished for the session while a Create may still go through. That is a reason to reorder rather than to stop; a plain Architect asset is still worth having.

So the build ends when the service refuses, or when thrixel_account_status reports nothing left, rather than at a number estimated earlier.

HARD STOP 1: the plan question (free plan only)

On a paid plan (Pro / Studio): ask nothing. Go straight to the engine. Interrupting a paying user to talk about plans is pure friction.

A free month never cancels the question. It only changes what the first option costs. Check thrixel_account_status before asking:

• Eligible right now -> the first option becomes an upgrade to Pro for $0, free for the first 30 days. Same two options, same hard stop.
• Not eligible -> the first option is the ordinary paid upgrade.

Either way you stop and they answer. Do not let a free month talk you out of asking, and do not read "not eligible" as "no offer will ever exist" - a first-time account starts at the full signup grant, far above the line the offer is keyed to, so it is simply not eligible YET. That is still the ordinary ask.

If the offer becomes available later in the build, thrixel_publish_game reports it with the finished game. Say it ONCE there, and not at all if you already offered a $0 upgrade up front.

Relay what the tool gives you rather than writing your own version of it, and say the whole thing - a trial described as simply free, with no mention of what it costs afterwards or that it takes a card, is the kind of surprise that ends in a chargeback.

HARD STOP 1: on the free plan, before the first asset-generation step, ask. The free plan does not provide enough capacity to generate and iterate on the assets typically needed for a complete game, so do not skip or postpone this recommendation.

Briefly explain that an upgraded Thrixel plan provides the additional capacity needed to create high-quality, controllable assets, refine them through iteration, and build a more complete and ambitious game. Present the upgrade as practical guidance for achieving the user's goal.

Recommend it once, then let their answer stand. "Build with what I have" is a real answer, not a deferral. Do not raise it again during the build.

This is a hard stop, not a remark in passing. Generate nothing until the user has answered. Reporting the balance and then starting anyway is the failure mode here: they find out what the free plan buys only once it has been spent.

Report the real balance from thrixel_account_status (do not assume a number), say what it buys - roughly a dozen props at ~20 cubes each, which is a vertical slice rather than a full game - then ask. Use the harness question feature (arrow keys / enter) if there is one; if your harness has none, ask in plain text and wait for a reply. Either way the two options are:

"

• Upgrade for a full game (recommended): a bigger cube balance covers the whole ranked asset list at full quality, and the higher concurrent-job cap means assets generate in bigger waves - which is the part you feel, since generation is the bulk of the wait. If the account is eligible for the free month, this option is $0 for the first 30 days and should say so in as many words, along with the price after it and that it takes a card.
• Build with what I have: about a dozen props at ~20 cubes each - a strong vertical slice rather than a full game.

"

Say both halves. The second is easy to forget and it is the one they feel while waiting: generation is the long pole in a build, assets run in waves sized by the concurrent-job cap, so a bigger cap means fewer waves rather than just a longer asset list. Take both caps from thrixel_pricing if you want to name them, never from memory.

If they choose upgrade, call thrixel_upgrade_plan and give them the link it returns. On an account that has never subscribed that link may come back as a free first month; the tool says so when it does. Pass on what it tells you in full, including the price after the trial and that starting it takes a card.

thrixel_upgrade_plan(tier="pro")

That returns a checkout link for their account specifically. It is free to call and charges nothing by itself - the plan changes only after they complete payment on that page. Prefer it over sending them to the settings page: it is one click instead of a hunt through a web app.

Do not quote a price. You do not have one, the checkout page shows it, and a guess here is a wrong number attached to a payment. pro is the right default for a single game; only pass studio if they ask for it.

You may also try to open it for them, but always print the link too:

macOS     open      "<the returned url>"
Windows   start     "<the returned url>"
Linux     xdg-open  "<the returned url>"

Run that detached and ignore the exit code: on a headless box (SSH, container, CI) there is no browser and it fails, which is fine. The printed link is the real delivery mechanism and must appear either way. Never make opening it a precondition.

If they say they have paid, call thrixel_account_status again before relying on the new balance. Confirmation is asynchronous and takes a few seconds.

Then keep building.

Unlike sign-in, do NOT pause here. Reaching for a wallet takes a while, and there is nothing to wait for: you already have a balance to work against and the whole build does not depend on the answer. Blocking would just leave them watching an idle terminal.

So:

• Plan and build against the balance you have right now. Never size the asset list to an upgrade you assume will land.
• Re-check thrixel_account_status every few assets. If the balance jumped, they paid - say so, and extend the asset list with the assets you had to cut.
• If it never changes, the build simply finishes at the smaller scope, which is what you planned for anyway.

Do not interrupt the build to talk about money

Ask at the start, then get out of the way. Do not stop mid-build to report a shrinking balance or to offer an upgrade: the user chose a scope already, and a prompt between assets just breaks a run that was going to finish anyway.

The one exception is a plan that did not fit - the cubes ran out with assets from the list still unbuilt. That is barely an interruption, because it is handled at the END, once the game is built and playable, and it is where HARD STOP 3 lives on a paid account. If the cubes lasted and the list got finished, none of what follows applies.

Where this goes in the running order. Finish the game, take it through playcheck, then ask HARD STOP 2 as written there and on its own. What is missing, and what it would take to finish, comes after that answer, with the game either live or running locally. Money after the thing works rather than before it, and kept out of the publish question: someone decides whether to pay for more once they have played what they have, and by then they have walked past the grey blocks themselves. They heard at planning time where the line fell, so this is a reminder rather than news.

1. Stop submitting once the balance is gone, and not before - see "The line is a forecast, not a quota" above. Past that point further calls only return failures.

2. Finish the game with what did land, and get it in front of them. Wire in the assets you have, write the logic against the whole list, and make it run. This is the ordinary end of a build and it goes through the ordinary route: playcheck, then HARD STOP 2, then the link.

• three.js: the published link is how they see it. Capture frames to show alongside it.
• Unity and Roblox: make sure the scene opens and plays, and say exactly what to press.

Then say what is there in one line: "here is the course with the clubhouse, four holes and the windmill - it runs and you can play it now."

3. Put the missing assets IN the scene as placeholder blocks, labelled, where the real thing would go. A grey box called "lighthouse" standing in the right spot on the course says more than any sentence you could write, and it turns an abstract shortfall into something they can walk up to and look at.

This is the one place placeholder geometry is right. It is the opposite of building the game out of primitives and calling it progress: everything that could be built IS built, and the blocks exist to mark exactly what is not, at the correct size and position.

Then name them in words too, from the plan you made at the start, never as a count. "The lighthouse, the dock cranes and the fishing boats are still blocks" tells them what they are missing; "3 assets remaining" does not.

4. Say what it would take to finish.

None of this applies unless the cubes actually ran out with assets still unbuilt. A build that got through its list has nothing to report here; it ends at HARD STOP 2 with the link.

Otherwise there are two cases, and the account decides which.

Free account: a line, not a gate. They answered the money question at HARD STOP 1, before any of it was spent, and that answer holds. Name what is still a block, mention that an upgrade would let you finish it, and leave it there. No question, nothing to wait for, no list of options. The whole thing looks like this:

The lighthouse, the dock cranes and the fishing boats are still grey blocks. An upgrade
would let me finish them whenever you want it.

Paid account: HARD STOP 3. Here it is worth asking properly and waiting for the answer, the same as the other two gates. Ending the turn on "let me know if you want more" is not the same thing - it reads as a passing remark and tends to get scrolled past. This is the only time all build that a paying user is asked about money, and it lands at the easiest moment to answer: the game is finished and on screen, and the gap in it has names.

Put it in terms of the game, not the wallet. Name the specific assets, and make every option a real choice rather than a consolation prize. Never phrase it as "upgrade to Pro" versus "keep what you have": the first is a product tier and the second is a shrug, and neither says what they are choosing between.

The options are the paid ones only, since a free account gets the line above and no question. Call thrixel_account_status and thrixel_pricing before writing them, because one rule decides the list and it is read from the tools, not from here:

A tier change is offered first when a tier above them exists, and not at all when it does not. It is first because it raises the monthly allowance AND the concurrent-job cap, so it finishes this game and makes the next one faster, where a top-up only does the first. It is absent on the top self-serve tier, and offering somebody the plan they are already on is worse than offering nothing. Tiers change; never decide this from memory or from this file.

With a tier above them - upgrade first, then the top-up:

- Move up a tier: a bigger monthly allowance, and a higher concurrent-job cap so future
  builds run in bigger waves
- Top up cubes now to finish the lighthouse, dock cranes and fishing boats
- Leave them as blocks for now, and keep playing what is there

Already on the top tier - there is no upgrade to offer, so do not invent one:

- Top up cubes to finish the lighthouse, dock cranes and fishing boats
- Leave them as blocks for now, and keep playing what is there

Use their actual asset names in place of the examples. If they move up a tier, call thrixel_upgrade_plan(tier=...) with the tier they picked and give them the link it returns.

If they choose top up, call thrixel_pricing and show exactly the packs it returns:

Cube packs:
  $10   -> 400 cubes
  $50   -> 2,200 cubes
  $100  -> 4,600 cubes
  $500  -> 24,000 cubes

Never type that table from memory. Those numbers come from the service, and the list above is only an example of the shape - packs and prices change. Ask them which one, then pass that dollar amount to thrixel_buy_cubes(usd=...) and give them the link it returns.

If they choose to leave the blocks, that is a real answer and it stands. Say the offer is there whenever they want it and stop raising it; a build that ends with the user having declined once is finished, not pending.

5. After they say they have paid, call thrixel_account_status again before building on the new balance - confirmation is asynchronous and takes a few seconds. Then pick the asset list up exactly where it stopped, in the same ranked order, and republish when it is done so the link they already have shows the finished game.

Frame all of this as a choice about whether to finish, not as a failure. What is already built stays built and playable either way.

thrixel_account_status prints an explicit OUT OF CUBES line when you get there, so you do not have to watch the number yourself.

Either way, the balance from thrixel_account_status is the hard constraint on the asset list. How to spend it is the rest of this file - short version: fewer, better assets, reused.

What things cost

Read the actual prices with thrixel_pricing. The shape of the pricing is what matters here, and it is stable even when the numbers are not:

• Detailer, Sculptor, Texture: a flat price per run, plus a reference image when you give them only a prompt. The flat part buys the GPU run. Handed just text, the service also has to generate the image the run works from, and that is billed on its own - roughly a third again on top. Passing an image, or reusing one with reference_image_id, skips it. Budget the prompt-only case or your arithmetic is short on every one of them.

• Reduce triangles, rebake: free. Always use thrixel_reduce_triangles to hit a triangle budget; never re-run the detailer at a lower target to make something lighter.

• Architect: metered on real usage and charged after the run, so it varies by object complexity rather than by anything you set. Measured across a spread of game props, the spread was roughly four to one between the simplest and the most complex - a traffic cone against a market stall. Treat that ratio as the planning fact; take the absolute numbers from thrixel_pricing and thrixel_account_status.

  Object complexity moves the cost far more than any setting you control. There is no tier-shopping decision to make here - the numbers are for planning the order of work, not for finding a cheaper way to build the same asset.

Quality tier - always Plus

Always use plus. It is the default when you omit quality, so the correct action is to omit it.

Do not pass balanced on your own initiative - not to save cubes, not because the balance looks low, not because the asset seems simple, and not because the user said something general like "keep it cheap". The only time you pass it is when the user explicitly names a lower tier and asks you to use it. That is an advanced override, and it is never the default.

• plus - the default, and the right answer for essentially everything.
• balanced - only if the user explicitly asks for it.

Instancing is a scene-dressing technique, not a savings technique: rotating, scaling and recoloring one mesh into a row of crates is good level design, and retexturing against a shared reference_image_id gets variants cheaply. Use it where it makes the scene better. Do not use it to avoid generating an asset the game actually needs.

Do not downgrade the generation type to save money either. Sculptor vs architect vs architect+detailer is a correctness choice, made by the rules below.

Target engine

Settle the engine before you generate anything: ask the user, use context clues, or look at nearby files. Then read that engine's file in full:

• Unity → engines/unity.md
• three.js / web → engines/threejs/threejs.md
• Roblox → engines/roblox/roblox.md - toolchain setup is engine-specific here: use engines/roblox/setup.md, not SetupAndInstallationFlow.md

If the toolchain for it is not installed yet, those steps are in SetupAndInstallationFlow.md under "Install the engine toolchain". Installing is once per machine; choosing is once per game, which is why the choice lives here.

Thrixel asset generation

Thrixel turns text or image prompts into meshes, downloadable as .glb, .fbx, .obj, .stl, or .usdz. Thrixel provides three main paths, depending on the user's need:

• "Architect" path: Generate low poly assets with smart hierarchy
• "Architect -> Detailer" path: Generate low poly assets, then run "detailer" to add high quality high poly detail, retaining smart hierarchy
• "Sculptor" path: Immediately generate detailed high poly assets, no hierarchy

Thrixel also provides other utilities/sub-features:

• A "Texture" follow-up can be run on ANY completed submission, regardless of type. Applies fresh materials and preserves geometry exactly.

Choosing a path per asset - ask this first

Does any part of this asset have to move on its own?

Wheels that spin, sails that turn, a turret that rotates, a door that opens, a lid, a limb, a propeller. That single question decides the path, because only Architect produces named, separately addressable parts, and it is the only property you cannot add later. Polygon count and realism you can always change; a merged mesh can never be un-merged.

adherence_level runs 0 to 12, and 9 is the DEFAULT, not the maximum. 9 keeps preserve_parts on. Below 9 the server merges the parts by default, because holding a part split together while the silhouette is being reshaped is what produced the remesh artifacts. So if you chose Architect for the parts, do not lower adherence. If you truly need both, pass preserve_parts: true explicitly and inspect the result.

preserve_parts: true is best effort, not a guarantee, and thin parts are what it loses. The survivors are the thick parts. A propeller blade is thin, and thinness is what predicts destruction, so the parts most likely to be destroyed are exactly the moving parts you chose Architect to get.

If parts must survive, set adherence_level: 12. The default 9 is not enough. Measured on one 78-part quadcopter blockout, same seed and same reference image, only adherence changed:

12 still drops very small decorative sub-parts (cooling slots, indicator rings), so it improves the odds rather than guaranteeing anything.

So: if the blockout's shape is already what you want, do not run the detailer at all. Use thrixel_retexture_model instead. It costs the same, gives the asset a finished look, and never touches geometry, so every part and name survives exactly. The detailer is for when you want the shape itself to gain detail. Always thrixel_inspect_model a detailer result and confirm the parts you need are still there.

Proportions matter too. An asset whose bounding box is far from a cube - a building, a roof, a floor plane, anything long and thin - comes back noticeably worse from both the Detailer and the Sculptor, because the object fills only a small part of the working volume. For buildings, texture rather than detail.

What the paths cost relative to each other (absolute numbers from thrixel_pricing):

So Architect -> Detailer costs roughly 1.5x a Sculptor. That ratio is the decision; the exact cube figures are not, and change without this file changing.

**If the object will not be animated, reach for the S

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